An artist’s concern is to capture beauty wherever he finds it.
KAZUO ISHIGUROYou need to remember that. If you’re to have decent lives, you have to know who you are and what lies ahead of you, every one of you.
More Kazuo Ishiguro Quotes
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Indeed — why should I not admit it? — in that moment, my heart was breaking.
KAZUO ISHIGURO -
I like the fact that by mimicking the way memory works, a writer can actually write in a fluid way – one solid scene doesn’t have to fall on another solid scene, you can just have a fragment that then dovetails into another one that took place 30 years apart from it.
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There’s still a part of me that thinks I have to write a really good novel. I’m not trying to say I’m not happy with the novels I’ve written in the past. But it always feels to me like there’s another one that I have to write that will really say what I want to say, and really paint this world that I can see hazily in my head.
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If you are under the impression you have already perfected yourself, you will never rise to the heights you are no doubt capable of.
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Memory, I realize, can be an unreliable thing; often it is heavily coloured by the circumstances in which one remembers.
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As a writer, I’m more interested in what people tell themselves happened rather than what actually happened.
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Love isn’t about when you first meet. It’s about the many, many years you spend together, when you’re trying to keep that flame burning.
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The problem, as I see it, is that you’ve been told and not told. You’ve been told, but none of you really understand, and I dare say, some people are quite happy to leave it that way.
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Typically in my novels the narrator tells a story by remembering, and the memories are colored by this and colored by that. So the whole universe of the novel tends to be framed by the narrator’s memories and thoughts.
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Perhaps one day, all these conflicts will end, and it won’t be because of great statesmen or churches or organisations like this one. It’ll be because people have changed. They’ll be like you, Puffin. More a mixture. So why not become a mongrel? It’s healthy.
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Because maybe, in a way, we didn’t leave it behind nearly as much as we might once have thought. Because somewhere underneath, a part of us stayed like that: fearful of the world around us, and no matter how much we despised ourselves for it–unable quite to let each other go.
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I try to always go for something very interior, following thoughts and memories, something that I think is difficult to do on the screen, which is essentially a third-person medium.
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It had never occurred to me that our lives, which had been so closely interwoven, could unravel with such speed.
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The Booker triumph of Graham Swift’s moving, effortlessly profound Last Orders is a vindication of the quiet, much-misunderstood path this fine writer chose to take after the brilliance of Waterland more than ten years ago.
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I really have to think of the things fiction can do that film can’t and play to the strengths of the novel. With a novel you can get right inside somebody’s head.
KAZUO ISHIGURO






