I like the fact that by mimicking the way memory works, a writer can actually write in a fluid way – one solid scene doesn’t have to fall on another solid scene, you can just have a fragment that then dovetails into another one that took place 30 years apart from it.
KAZUO ISHIGUROYou need to remember that. If you’re to have decent lives, you have to know who you are and what lies ahead of you, every one of you.
More Kazuo Ishiguro Quotes
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Because maybe, in a way, we didn’t leave it behind nearly as much as we might once have thought. Because somewhere underneath, a part of us stayed like that: fearful of the world around us, and no matter how much we despised ourselves for it–unable quite to let each other go.
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I can’t even say I made my own mistakes. Really – one has to ask oneself – what dignity is there in that?
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Don’t you wonder sometimes, what might have happened if you tried?
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Love isn’t about when you first meet. It’s about the many, many years you spend together, when you’re trying to keep that flame burning.
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What is pertinent is the calmness of that beauty, its sense of restraint.
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And if these incidents now seem full of significance and all of a piece, it’s probably because I’m looking at them in the light of what came later.
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Typically in my novels the narrator tells a story by remembering, and the memories are colored by this and colored by that. So the whole universe of the novel tends to be framed by the narrator’s memories and thoughts.
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The evening’s the best part of the day. You’ve done your day’s work. Now you can put your feet up and enjoy it.
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Memory, I realize, can be an unreliable thing; often it is heavily coloured by the circumstances in which one remembers.
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Perhaps one day, all these conflicts will end, and it won’t be because of great statesmen or churches or organisations like this one. It’ll be because people have changed. They’ll be like you, Puffin. More a mixture. So why not become a mongrel? It’s healthy.
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What interests me is the surprising enormous extent to which most people accept the fate that’s been given to them, and find some dignity.
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I try to always go for something very interior, following thoughts and memories, something that I think is difficult to do on the screen, which is essentially a third-person medium.
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But then, I suppose, when with the benefit of hindsight one begins to search one’s past for such ‘turning points’, one is apt to start seeing them everywhere.
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Now naturally, like many of us, I have a reluctance to change too much of the old ways.
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I think I had actually served my apprenticeship as a writer of fiction by writing all those songs. I had already been through phases of autobiographical or experimental stuff.
KAZUO ISHIGURO