As with a wound on one’s own body, it is possible to develop an intimacy with the most disturbing of things.
KAZUO ISHIGUROThe world is crawling with authors touring now. They’re like performance artists.
More Kazuo Ishiguro Quotes
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Memory is quite central for me. Part of it is that I like the actual texture of writing through memory.
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And I’m a Hailsham student – which is enough by itself sometimes to get people’s backs up.
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All children have to be deceived if they are to grow up without trauma.
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The Booker triumph of Graham Swift’s moving, effortlessly profound Last Orders is a vindication of the quiet, much-misunderstood path this fine writer chose to take after the brilliance of Waterland more than ten years ago.
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Because maybe, in a way, we didn’t leave it behind nearly as much as we might once have thought. Because somewhere underneath, a part of us stayed like that: fearful of the world around us, and no matter how much we despised ourselves for it–unable quite to let each other go.
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Don’t you wonder sometimes, what might have happened if you tried?
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I really have to think of the things fiction can do that film can’t and play to the strengths of the novel. With a novel you can get right inside somebody’s head.
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You have to accept that sometimes that’s how things happen in this world. People’s opinions, their feelings, they go one way, then the other. It just so happens you grew up at a certain point in this process.
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You’re always in a rush, or else you’re too exhausted to have a proper conversation. Soon enough, the long hours, the traveling, the broken sleep have all crept into your being and become part of you, so everyone can see it, in your posture, your gaze, the way you move and talk.
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My friends and I took songwriting very, very seriously. My hero was and still is Bob Dylan, but also people like Leonard Cohen and Joni Mitchell and that whole generation.
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The world is crawling with authors touring now. They’re like performance artists.
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I like the fact that by mimicking the way memory works, a writer can actually write in a fluid way – one solid scene doesn’t have to fall on another solid scene, you can just have a fragment that then dovetails into another one that took place 30 years apart from it.
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Many of our deepest motives come, not from an adult logic of how things work in the world, but out of something that is frozen from childhood.
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Its was one of those events which at a crucial stage in one’s development arrive to challenge and stretch one to the limit of one’s ability and beyond, so that thereafter one has a new standard by which to judge oneself.
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I think of my pile of old paperbacks, their pages gone wobbly, like they’d once belonged to the sea.
KAZUO ISHIGURO