I started as a songwriter and wanted to be like Leonard Cohen. I’ve always seen my stories as enlarged songs.
KAZUO ISHIGUROThere are things I am more interested in than the clone thing. How are they trying to find their place in the world and make sense of their lives? To what extent can they transcend their fate? As time starts to run out, what are the things that really matter?
More Kazuo Ishiguro Quotes
-
-
People aren’t quite sure what it means when a book is a Booker Prize winner. They’re not quite sure what is being recommended, what literary values it stands for, because every year it stands for something different.
KAZUO ISHIGURO -
We all live inside bodies that will deteriorate. But when you look at human beings, they’re capable of very decent things: love, loyalty. When time is running out, they don’t care about possessions or status. They want to put things right if they’ve done wrong.
KAZUO ISHIGURO -
I cannot start a story or chapter without knowing how it ends. Of course, it rarely ends that way.
KAZUO ISHIGURO -
When you become a parent, or a teacher, you turn into a manager of this whole system. You become the person controlling the bubble of innocence around a child, regulating it.
KAZUO ISHIGURO -
Love isn’t about when you first meet. It’s about the many, many years you spend together, when you’re trying to keep that flame burning.
KAZUO ISHIGURO -
My friends and I took songwriting very, very seriously. My hero was and still is Bob Dylan, but also people like Leonard Cohen and Joni Mitchell and that whole generation.
KAZUO ISHIGURO -
And I’m a Hailsham student – which is enough by itself sometimes to get people’s backs up.
KAZUO ISHIGURO -
I think I had actually served my apprenticeship as a writer of fiction by writing all those songs. I had already been through phases of autobiographical or experimental stuff.
KAZUO ISHIGURO -
As I say, I have never in all these years thought of the matter in quite this way; but then it is perhaps in the nature of coming away on a trip such as this that one is prompted towards such surprising new perspectives on topics one imagined one had long ago thought throughly.
KAZUO ISHIGURO -
An artist’s concern is to capture beauty wherever he finds it.
KAZUO ISHIGURO -
One is not struck by the truth until prompted quite accidentally by some external event.
KAZUO ISHIGURO -
After all, what can we ever gain in forever looking back and blaming ourselves if our lives have not turned out quite as we might have wished?
KAZUO ISHIGURO -
What is pertinent is the calmness of beauty, its sense of restraint. It is as though the land knows of its own beauty, its own greatness, and feels no need to shout it.
KAZUO ISHIGURO -
Because maybe, in a way, we didn’t leave it behind nearly as much as we might once have thought. Because somewhere underneath, a part of us stayed like that: fearful of the world around us, and no matter how much we despised ourselves for it–unable quite to let each other go.
KAZUO ISHIGURO -
Typically in my novels the narrator tells a story by remembering, and the memories are colored by this and colored by that. So the whole universe of the novel tends to be framed by the narrator’s memories and thoughts.
KAZUO ISHIGURO