Typically in my novels the narrator tells a story by remembering, and the memories are colored by this and colored by that. So the whole universe of the novel tends to be framed by the narrator’s memories and thoughts.
KAZUO ISHIGUROI try to always go for something very interior, following thoughts and memories, something that I think is difficult to do on the screen, which is essentially a third-person medium.
More Kazuo Ishiguro Quotes
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We all live inside bodies that will deteriorate. But when you look at human beings, they’re capable of very decent things: love, loyalty. When time is running out, they don’t care about possessions or status. They want to put things right if they’ve done wrong.
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Sometimes I get so immersed in my own company, if I unexpectedly run into someone I know, it’s a bit of a shock and takes me a while to adjust.
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You need to remember that. If you’re to have decent lives, you have to know who you are and what lies ahead of you, every one of you.
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I try to always go for something very interior, following thoughts and memories, something that I think is difficult to do on the screen, which is essentially a third-person medium.
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I can’t even say I made my own mistakes. Really – one has to ask oneself – what dignity is there in that?
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There was surely nothing to indicate at the time that such evidently small incidents would render whole dreams forever irredeemable.
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People were incredibly kind to our family and went out of their way to help.
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As a writer, I’m more interested in what people tell themselves happened rather than what actually happened.
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It was like when you make a move in chess and just as you take your finger off the piece, you see the mistake you’ve made, and there’s this panic because you don’t know yet the scale of disaster you’ve left yourself open to.
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What I’m not sure about, is if our lives have been so different from the lives of the people we save. We all complete. Maybe none of us really understand what we’ve lived through, or feel we’ve had enough time.
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Memories, even your most precious ones, fade surprisingly quickly. But I don’t go along with that. The memories I value most, I don’t ever see them fading.
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I think it’s quite difficult to understand what kind of life a writer leads. They might be millionaires, or they might be starving people.
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Love isn’t about when you first meet. It’s about the many, many years you spend together, when you’re trying to keep that flame burning.
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What is pertinent is the calmness of that beauty, its sense of restraint.
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And if these incidents now seem full of significance and all of a piece, it’s probably because I’m looking at them in the light of what came later.
KAZUO ISHIGURO