There is certainly a satisfaction and dignity to be gained in coming to terms with the mistakes one has made in the course of one’s life.
KAZUO ISHIGUROI try to always go for something very interior, following thoughts and memories, something that I think is difficult to do on the screen, which is essentially a third-person medium.
More Kazuo Ishiguro Quotes
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All children have to be deceived if they are to grow up without trauma.
KAZUO ISHIGURO -
I like the fact that by mimicking the way memory works, a writer can actually write in a fluid way – one solid scene doesn’t have to fall on another solid scene, you can just have a fragment that then dovetails into another one that took place 30 years apart from it.
KAZUO ISHIGURO -
There are things I am more interested in than the clone thing. How are they trying to find their place in the world and make sense of their lives? To what extent can they transcend their fate? As time starts to run out, what are the things that really matter?
KAZUO ISHIGURO -
After all, what can we ever gain in forever looking back and blaming ourselves if our lives have not turned out quite as we might have wished?
KAZUO ISHIGURO -
I cannot start a story or chapter without knowing how it ends. Of course, it rarely ends that way.
KAZUO ISHIGURO -
The problem, as I see it, is that you’ve been told and not told. You’ve been told, but none of you really understand, and I dare say, some people are quite happy to leave it that way.
KAZUO ISHIGURO -
I discovered that my imagination came alive when I moved away from the immediate world around me.
KAZUO ISHIGURO -
There’s still a part of me that thinks I have to write a really good novel. I’m not trying to say I’m not happy with the novels I’ve written in the past. But it always feels to me like there’s another one that I have to write that will really say what I want to say, and really paint this world that I can see hazily in my head.
KAZUO ISHIGURO -
Indeed — why should I not admit it? — in that moment, my heart was breaking.
KAZUO ISHIGURO -
Memory is quite central for me. Part of it is that I like the actual texture of writing through memory.
KAZUO ISHIGURO -
I’ve always had a great fondness for English detective fiction such as Agatha Christie and Dorothy Sayers.
KAZUO ISHIGURO -
Typically in my novels the narrator tells a story by remembering, and the memories are colored by this and colored by that. So the whole universe of the novel tends to be framed by the narrator’s memories and thoughts.
KAZUO ISHIGURO -
We all live inside bodies that will deteriorate. But when you look at human beings, they’re capable of very decent things: love, loyalty. When time is running out, they don’t care about possessions or status. They want to put things right if they’ve done wrong.
KAZUO ISHIGURO -
Perhaps one day, all these conflicts will end, and it won’t be because of great statesmen or churches or organisations like this one. It’ll be because people have changed. They’ll be like you, Puffin. More a mixture. So why not become a mongrel? It’s healthy.
KAZUO ISHIGURO -
Even the solitude, I’ve actually grown to quite like. I do like the feeling of getting into my little car, knowing for the next couple of hours I’ll have only the roads, the big gray sky and my daydreams for company.
KAZUO ISHIGURO