“To win is always good for the feeling of the whole team.”

There is something special which rides on a game between Liverpool and United.

I like learning more about people; I like to talk to people.

The best football is always about expression of emotion. Always.

Crazy players love me. I don’t know why.

It’s a rule to give all, and it can make the difference if you work more. If you don’t have to give all, and you still win, what’s this?

I don’t want to spend money the club doesn’t have; I don’t want to hold a player that doesn’t want to stay.

I’m not sure what you need first – the players believing or others believing in them – but in the end, both have to think it.

Winning the title in England is the biggest challenge of them all.

We should play free football, defend lively with a passion, and have the best understanding in offence.

To be successful, you need results in a row. You can’t win, lose, win, lose.

I’m not a genius. I need other people to get the perfect information. When we have this, we will decide to sign or sell a player.

It’s not about changing people; it’s sometimes about changing a situation. How can we build an even better situation for them?

In Dortmund, they say the derby is more important than the championship. You can feel it around the game.

The only thing I can say is that I like people; I like human beings with their faults and with their strengths.

Shinji Kagawa is one of the best players in the world, and he now plays 20 minutes at Manchester United – on the left wing!

When I started analysing games in 2001, I had a DVD recorder.

This younger generation that’s around, that’s tweeting, Facebooking and Vine-ing, the fans appreciate that because they feel like they can get to you.

If you fell down yesterday, stand up today.

I feel like whatever you’ve done in your career, good or bad, it’s nothing but preparation for the big events to come.

Motor racing is like one big family, ultimately, and when you come back to it, that’s really what it feels like.

To confer the gift of drawing, we must create an eye that sees, a hand that obeys, a soul that feels; and in this task, the whole life must cooperate. In this sense, life itself is the only preparation for drawing.

It’s weird, but I don’t feel like think I deserve any of the attention. There’s really nothing but one audition for a Disney Channel movie that separates me from 2,000 other brown-haired, blue-eyed guys in L.A., you know?

It feels very special, but I acknowledge that the old master, Nigel Mansell, took his 14 poles from only 16 races.

My experience is listen, see, feel – and then think about what you change.