I used to struggle a lot with dwelling on how the day at work was, and I would dwell on my performance. Now, I’m like, “Well, that’s over and done with, and I can’t control the outcome, so move on.” I just remember that it’s entertainment I am making.
JULIA STILESI know it sounds earnest, but I do really feel in my bones that acting is just a small part of the equation when you are making a movie. The director really is in charge. Actors are as important or unimportant as the rest of the people around them.
More Julia Stiles Quotes
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I think it’s really special to be a part of something that people are still watching or thinking about or interested in, or remember fondly many years later. I don’t think it’s annoying at all.
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Make yourself useful, not just on a day to day basis, but as a lifetime thing.
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Yoga has stopped me from destroying my joints after running. It slows me down. My brain and body can go into overdrive – yoga teaches me to focus on the moment and not get ahead of myself.
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The only thing that gets me through any type of pain, emotional or physical, is to make it worthwhile by putting it into my work.
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In my early career, I look at that time as a series of trial and error and learning as I go.
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I did a different production with a different director and Bill Pullman. Oleanna – the one you saw – we were doing right after Bourne Identity or right after it came out.
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It was nice that there [ in the Bourne Ultimatum ] was a reference to the relationship . It’s very subtle – it’s actually without dialogue. I do think it’s powerful even without words.
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I think women get caught up too much in having a plan – ‘I’m going to get married at this age I’m going to have a kid at this age’ – and then they just try to find a guy who will fit into that picture. I don’t want my life to be based on that.
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I took the role of Ophelia in Hamlet because she is so naive, loving, and innocent.
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Yoga has stopped me from destroying my joints after running. It slows me down.
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I really like Shakespeare a lot. The characters that he writes for females, I think, are really great and a lot more compelling than what modern writers write, which is weird because they didn’t have actresses then.
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With film, so much is in the director’s hands. Once something is cut together – unless you’re in the editing room – you don’t really remember what the alternatives are.
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I pretty much grew up in public.
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I like a director who is very observant and is watching what I’m doing and noticing what I’m doing, but is giving me time to figure it out. They don’t jump right in and give you a note before you’ve had time to really search on your own with how to do a scene.
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The thing with the Bourne movies is that they’re so big in scope and the production value is so high and it takes so much organization.
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