My regular school didn’t know what to do with me!
JULIA STILESI remember seeing Janet McTeer in A Doll’s House. My grandmother took me and we had seats in the very back row, but her performance was so powerful – it was very accessible. I felt like I was much closer than I was.
More Julia Stiles Quotes
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As an actor, you’re only one little piece of the puzzle; you’re fulfilling someone else’s vision. If you’re involved earlier on, you’re kind of creating your own.
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I’m not good at keeping secrets. If I’m entrusted with a secret from a friend, I can do that because I’m a good friend, but I don’t like having secrets, it makes me nervous.
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I remember seeing Janet McTeer in A Doll’s House. My grandmother took me and we had seats in the very back row, but her performance was so powerful – it was very accessible. I felt like I was much closer than I was.
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With film, so much is in the director’s hands. Once something is cut together – unless you’re in the editing room – you don’t really remember what the alternatives are.
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Even after such milestones as Kathryn Bigelow winning an Oscar, there still seem to be few women in leadership roles.
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I’m going to Columbia University but I’m trying to keep that low-profile because I don’t want weird people following me there. I want the experience of normal college life.
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Yoga has stopped me from destroying my joints after running. It slows me down.
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We can become very short-sighted in terms of objectives. The first thing to go during times of economic crisis and budget cuts is funding for things that are essential and not-quantifiable, like the arts. Save Big Bird
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I think it’s really special to be a part of something that people are still watching or thinking about or interested in, or remember fondly many years later. I don’t think it’s annoying at all.
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I think that ultimately I just have to be myself. You know, I don’t do anything that outlandish anyway.
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I did a run of a play over the summer in a really tiny theater in New York and that was rejuvenating for me. I directed a short series for Hulu called Paloma and being in an editing room, I learned a lot about acting.
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The only thing that gets me through any type of pain, emotional or physical, is to make it worthwhile by putting it into my work.
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Make yourself useful, not just on a day to day basis, but as a lifetime thing.
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I used to struggle a lot with dwelling on how the day at work was, and I would dwell on my performance. Now, I’m like, “Well, that’s over and done with, and I can’t control the outcome, so move on.” I just remember that it’s entertainment I am making.
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I did a different production with a different director and Bill Pullman. Oleanna – the one you saw – we were doing right after Bourne Identity or right after it came out.
JULIA STILES