I think it’s really special to be a part of something that people are still watching or thinking about or interested in, or remember fondly many years later. I don’t think it’s annoying at all.
JULIA STILESSometimes I have these abstract ideas and then lose track of myself.
More Julia Stiles Quotes
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I like a director who is very observant and is watching what I’m doing and noticing what I’m doing, but is giving me time to figure it out. They don’t jump right in and give you a note before you’ve had time to really search on your own with how to do a scene.
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The thing with the Bourne movies is that they’re so big in scope and the production value is so high and it takes so much organization.
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Make yourself useful, not just on a day to day basis, but as a lifetime thing.
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In my worst moments, I try to think about loving instead of hating. Creation versus destruction, know what I’m sayin’?
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I used to struggle a lot with dwelling on how the day at work was, and I would dwell on my performance. Now, I’m like, “Well, that’s over and done with, and I can’t control the outcome, so move on.” I just remember that it’s entertainment I am making.
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I think women get caught up too much in having a plan – ‘I’m going to get married at this age I’m going to have a kid at this age’ – and then they just try to find a guy who will fit into that picture. I don’t want my life to be based on that.
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I took the role of Ophelia in Hamlet because she is so naive, loving, and innocent.
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In my early career, I look at that time as a series of trial and error and learning as I go.
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I remember seeing Janet McTeer in A Doll’s House. My grandmother took me and we had seats in the very back row, but her performance was so powerful – it was very accessible. I felt like I was much closer than I was.
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I am forever grateful that I got some training in the theater – it reduces performance anxiety.
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Sometimes I have these abstract ideas and then lose track of myself.
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I feel like I have a skill set, but every experience is different and there’s always room for improvement.
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I did a run of a play over the summer in a really tiny theater in New York and that was rejuvenating for me. I directed a short series for Hulu called Paloma and being in an editing room, I learned a lot about acting.
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I know it sounds earnest, but I do really feel in my bones that acting is just a small part of the equation when you are making a movie. The director really is in charge. Actors are as important or unimportant as the rest of the people around them.
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It’s not my job to critique the writing. I’m there to serve it. I had to figure out a way to make it work.
JULIA STILES