I know it sounds earnest, but I do really feel in my bones that acting is just a small part of the equation when you are making a movie. The director really is in charge. Actors are as important or unimportant as the rest of the people around them.
JULIA STILESSometimes I have these abstract ideas and then lose track of myself.
More Julia Stiles Quotes
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I like analyzing human behavior. It’s complex. That’s what keeps me going.
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It was nice that there [ in the Bourne Ultimatum ] was a reference to the relationship . It’s very subtle – it’s actually without dialogue. I do think it’s powerful even without words.
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I’m not good at keeping secrets. If I’m entrusted with a secret from a friend, I can do that because I’m a good friend, but I don’t like having secrets, it makes me nervous.
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It’s not my job to critique the writing. I’m there to serve it. I had to figure out a way to make it work.
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I used to struggle a lot with dwelling on how the day at work was, and I would dwell on my performance. Now, I’m like, “Well, that’s over and done with, and I can’t control the outcome, so move on.” I just remember that it’s entertainment I am making.
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I worked regularly from very early on, and some of it was probably a bit premature.
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Yoga has stopped me from destroying my joints after running. It slows me down. My brain and body can go into overdrive – yoga teaches me to focus on the moment and not get ahead of myself.
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My regular school didn’t know what to do with me!
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Make yourself useful, not just on a day to day basis, but as a lifetime thing.
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I did a run of a play over the summer in a really tiny theater in New York and that was rejuvenating for me. I directed a short series for Hulu called Paloma and being in an editing room, I learned a lot about acting.
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I took the role of Ophelia in Hamlet because she is so naive, loving, and innocent.
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I like a director who is very observant and is watching what I’m doing and noticing what I’m doing, but is giving me time to figure it out. They don’t jump right in and give you a note before you’ve had time to really search on your own with how to do a scene.
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I pretty much grew up in public.
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With film, so much is in the director’s hands. Once something is cut together – unless you’re in the editing room – you don’t really remember what the alternatives are.
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I’ve always been fascinated with the idea of people paying for sex and what goes on with that and why that happens.
JULIA STILES






