Art can be very political but that can’t be the purpose of art, it can’t be the driving force. It isn’t with any of the books that I love, anyway.
JONATHAN SAFRAN FOERFood serves two parallel purposes: it nourishes and it helps you remember. Eating and storytelling are inseparable-the saltwater is also tears; the honey not only tastes sweet, but makes us think of sweetness; the matzo is the bread of our affliction.
More Jonathan Safran Foer Quotes
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Why does watching a dog be a dog fill one with happiness?
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Food serves two parallel purposes: it nourishes and it helps you remember. Eating and storytelling are inseparable-the saltwater is also tears; the honey not only tastes sweet, but makes us think of sweetness; the matzo is the bread of our affliction.
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I want an infinitely blank book and the rest of time.
JONATHAN SAFRAN FOER -
He couldn’t bear to live, but he couldn’t bear to die. He couldn’t bear the thought of he making love to someone else, but neither could he bear the absence of the thought. And as for the note, he couldn’t bear to keep it, but he couldn’t bear to destroy it either.
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Everything is to protect you. I exist in case you need to be protected.
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I put my hand on the doorknob because I thought maybe her hand was on the doorknob on the other side.
JONATHAN SAFRAN FOER -
I am sure people tell you this constantly but if you looked up ‘incredibly beautiful’ in the dictionary there would be a picture of you.
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I never confused what I had with what I was.
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It made me start to wonder if there were other people so lonely so close. I thought about “Eleanor Rigby.” It’s true, where do they all come from? And where do they all belong?
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We spent our lives making livings.
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We talked about nothing in particular, but it felt like we were talking about the most important things.
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The French, who love their dogs, sometimes eat their horses. The Spanish, who love their horses, sometimes eat their cows. The Indians, who love their cows, sometimes eat their dogs.
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Please be truthful, but also please be benevolent, please.
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We live in a world made up more of story than stuff. We are creatures of memory more than reminders, of love more than likes.
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We are not long-term beings. Not heroes of romances in many volumes. For one gesture, for one word alone, we shall make the effort. We openly admit: our creations will be temporary. We shall have this as our aim: a gesture.
JONATHAN SAFRAN FOER






