If you presume to love something, you must love the process of it much more than you love the finished product.
JOHN IRVINGIf you presume to love something, you must love the process of it much more than you love the finished product.
JOHN IRVINGI have a friend who says that reviewers are the tickbirds of the literary rhinoceros-but he is being kind. Tickbirds perform a valuable service to the rhino and the rhino hardly notices the birds.
JOHN IRVINGEverybody dies … The thing is, to have a life before we die.
JOHN IRVINGNo one but me ever put a hand on me to feel that baby. No one wanted to put his ear against it and listen…You shouldn’t have a baby if there’s no one who wants to feel it kick or listen to it move.
JOHN IRVINGThis is what self-centered religion does to us: it allows us to use it to further our own ends.
JOHN IRVINGHe had in abundance youth’s most dangerous qualities: optimism and relentlessness. He would risk everything he had to fly the plane that could carry the bomb within him.
JOHN IRVINGThe lie, of course, is more interesting.
JOHN IRVINGI suppose I’m proudest of my novels for what’s imagined in them. I think the world of my imagination is a richer and more interesting place than my personal biography.
JOHN IRVINGThey all settled into being the kind of friends when they heard from each other…. or when they occasionally got together. And when they were not in touch, they did not think of one another.
JOHN IRVINGWhen I finally write the first sentence, I want to know everything that happens, so that I am not inventing the story as I write it – rather, I am remembering a story that has already happened.
JOHN IRVINGI’ve always preferred writing in longhand. I’ve always written first drafts in longhand.
JOHN IRVINGIt is your responsibility to find fault with me, it is mine to hear you out. But don’t expect me to change.
JOHN IRVINGBut I often think that so-called glamorous people are just very busy people.
JOHN IRVINGWhat a phrase that is: ‘that explains everything!’ I know better than to think anything ‘explains everything’ today.
JOHN IRVINGPeople are either attracted to the unseemly or disapproving of it, or both; yet we try to sound superior to the unseemly by pretending to be amused by it or indifferent to it.
JOHN IRVINGA writer’s job is to imagine everything so personally that the fiction is as vivid as memories.
JOHN IRVING