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Every city has a sex and an age which have nothing to do with demography. Rome is feminine. So is Odessa. London is a teenager, an urchin, and, in this, hasn’t changed since the time of Dickens. Paris, I believe, is a man in his twenties in love with an older woman.

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Marilyn Monroe Paulo Coelho Abraham Lincoln C. S. Lewis Khalil Gibran Charlie Chaplin Gautama Buddha Isaac Newton

Matisse did neither. He clashed his colours together like cymbals and the effect was like a lullaby.
JOHN BERGER

Clash Color Cymbal Effect Lullaby Matisse Neither Together
When we suffer anguish we return to early childhood because that is the period in which we first learnt to suffer the experience of total loss.
JOHN BERGER

Anguish Childhood Grief Learn Loss Period Suffer Total
The human imagination… has great difficulty in living strictly within the confines of a materialist practice or philosophy.
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Confine Difficulty Dog Dream Human Imagination Live Materialist Philosophy Practice Strict
Poetry can repair no loss, but it defies the space which separates. And it does this by its continual labor of reassembling what has been scattered.
JOHN BERGER

Continual Define Poetry Reassembking Repair Scattered Separate Space
The camera relieves us of the burden of memory.
JOHN BERGER

Burden Camera Memories Photography Recieve
Ours is the century of enforced travel of disappearances.
JOHN BERGER

Century Disappearance Enforce Horizon Our People Travel
Nothing in the nature around us is evil. This needs to be repeated since one of the human ways of talking oneself into inhuman acts is to cite the supposed cruelty of nature.
JOHN BERGER

Act Around Evil Human Inhuman Nature Need Nothing Repeated Talking Way
No painting or drawing, however naturalist, belongs to its subject in the way that a photograph does.
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Belong Draw Naturalist Paint Photograph Subject Way
In the average European oil painting of the nude the principal protagonist is never painted. He is the spectator in front of the picture and he is presumed to be a man.
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Average Country Men never Painting Presume Principal Protagonist Rude Spectator
The zoo cannot but disappoint. The public purpose of zoos is to offer visitors the opportunity of looking at animals.
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We can become anything. That is why injustice is impossible here. There may be the accident of birth, there is no accident of death. Nothing forces us to remain what we were.
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It is comparatively easy to achieve a certain unity in a picture by allowing one colour to dominate, or by muting all the colours.
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What do drawings mean to me? I really don’t know. The activity absorbs me. I forget everything else in a way that I don’t think happens with any other activity.
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Pleasure and pain need to be considered together; they are inseparable. Yet the space filled by each is perhaps different. Pleasure, defined as a sense of gratification, is essential for nature
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This was once achieved by extensive deprivation. Today in the developed countries it is being achieved by imposing a false standard of what is and what is not desirable.
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It is not an art of the princes or the bourgeoisie. It is popular and vagrant. In the sky of the cinema people learn what they might have been and discover what belongs to them apart from their single lives.
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Art Bourgeoisie Cinema Discover Learn People Popular Princes Single Sky Vagrant

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