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Everything in life, is a question of drawing a life, John, and you have to decide for yourself where to draw it.

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Marilyn Monroe Paulo Coelho Abraham Lincoln C. S. Lewis Khalil Gibran Charlie Chaplin Gautama Buddha Isaac Newton

These contradictions both hide and increase the natural ambiguity of the photographic image.
JOHN BERGER

Ambiguity Contradiction Image Increase Natural Photo Photograph
Propaganda requires a permanent network of communication so that it can systematically stifle reflection with emotive or utopian slogans. Its pace is usually fast.
JOHN BERGER

Communication Emotive Network Pace Permanent Propaganda Reflection Require Slogan Stifie Systematically
The relation between what we see and what we know is never settled. Each evening we see the sun set.
JOHN BERGER

Between Know Relation Settle
Men look at women. Women watch themselves being looked at.
JOHN BERGER

Look Love Men Women
If everything that existed were continually being photographed, every photograph would become meaningless.
JOHN BERGER

Community Everything Exist Meaningless Photograph
Do you know the legend about cicadas? They say they are the souls of poets who cannot keep quiet because, when they were alive, they never wrote the poems they wanted to.
JOHN BERGER

Alive Cicadas Legend Poem Poet Quiet Soul
The opposite of love is not to hate but to separate. If love and hate have something in common it is because, in both cases, their energy is that of bringing and holding together
JOHN BERGER

Both Case Common Hate Love Opposite Separate Something
The existence of pleasure is the first mystery. The existence of pain has prompted far more philosophical speculation.
JOHN BERGER

More Mystery Pain Philosophical Presecute Space Speculation
The unsung, impersonal world remains outside, on the other surface of a placenta. All songs, even when their content or rendering is strongly masculine, operate maternally.
JOHN BERGER

All Content Impersonal Maternity Operate Outside Placenta Remain Song Surface
The stars threaded on that line were like events threaded on a narrative. Imagining the constellations did not of course change the stars, nor did it change the black emptiness that surrounds them. What it changed was the way people read the night sky.
JOHN BERGER

Change Constellation Event Imagining Night People Sky Surround Threaded
I use charcoal a lot. Partly because it has such a fantastic range but also because it is very easy to erase.
JOHN BERGER

Charcoal Drawing Erase Fantastic Partly Range Use White Wrase
A man’s presence suggests what he is capable of doing to you or for you.
JOHN BERGER

Capable Contrast Done Men Presence Suggest You
The human imagination… has great difficulty in living strictly within the confines of a materialist practice or philosophy.
JOHN BERGER

Confine Difficulty Dog Dream Human Imagination Live Materialist Philosophy Practice Strict
The heart of Paris is like nothing so much as the unending interior of a house.
JOHN BERGER

Country Doors Heart House Interior Two Unending
Buildings become furniture, courtyards become carpets and arrases, the streets are like galleries, the boulevards conservatories. It is a house, one or two centuries old, rich, bourgeois, distinguished. The only way of going out, or shutting the door behind you, is to leave the centre.
JOHN BERGER

Behind Bourgeois Building Conservatories Door Furniture Galleries Go House Shutting Street Way
Every authentic poem contributes to the labour of poetry… to bring together what life has separated or violence has torn apart.
JOHN BERGER

Apart Authentic Contribute Labor Poem Poetry Separate Together Violence

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