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Propaganda requires a permanent network of communication so that it can systematically stifle reflection with emotive or utopian slogans. Its pace is usually fast.

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Communication Emotive Network Pace Permanent Propaganda Reflection Require Slogan Stifie Systematically

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Marilyn Monroe Paulo Coelho Abraham Lincoln C. S. Lewis Khalil Gibran Charlie Chaplin Gautama Buddha Isaac Newton

The extreme proposition on which Giacometti based all his mature work was that no reality… could ever be shared. This is why he believed it impossible for a work to be finished. This is why the content of any work is not the nature of the figure or head portrayed but the incomplete history of him staring at it.
JOHN BERGER

Bases Extreme Finishing Giacometti History Impossible Incomplete Portrayed Proposition Reality Share Staring
Photography, because it stops the flow of life, is always flirting with death.
JOHN BERGER

Death Flirting Flow Life Photography
If everything that existed were continually being photographed, every photograph would become meaningless.
JOHN BERGER

Community Everything Exist Meaningless Photograph
Compassion opposes this order and is therefore best thought of as being in some way supernatural.
JOHN BERGER

Basic Best Compassion Necessity Oppose Order Therefore World
It is not usually possible in a poem or a story to make the relationship between particular and universal fully explicit. Those who try to do so end up writing parables.
JOHN BERGER

Between Explicit Fully Make Relationship Stories Trying Universal Usually Writing
The camera relieves us of the burden of memory. It surveys us like God, and it surveys for us. Yet no other god has been so cynical, for the camera records in order to forget.
JOHN BERGER

Burden Camera Forget God Like Memories Photography Relieve Survey Us Yet
This determines not only most relations between men and women but also the relation of women to themselves.
JOHN BERGER

Determine Effection Men Most Only Relation Relationship Themselves Wome
Japanese art looked closely around screens; Italian Renaissance art surveyed conquered nature through the window or door-frame of a palace.
JOHN BERGER

Around Close Conquer Country Door Frame Look Place Renaissance Screen Survey Window
Every painted image of something is also about the absence of the real thing. All painting is about the presence of absence.
JOHN BERGER

Absence Painting Presence Real Something Thing
The woman’s sexual passion needs to be minimized, so that the spectator may feel that he has the monopoly on such passion
JOHN BERGER

Feel May Minimize Monopoly Need Passion Sexual Spectator Such Women
We follow songs in order to be enclosed. We find ourselves inside a message.
JOHN BERGER

Enclose Follow Inside Message Order Ourselves Song
Your lips, beloved, are like a honeycomb: honey and milk are under the tongue. And the smell of your clothes is like the smell of my home.
JOHN BERGER

Beloved Clothes Home Honeycomb Like Lip Milk Smell Tongue
The publicity image steals her love of herself as she is, and offers it back to her for the price of the product.
JOHN BERGER

Back Herself Love Offer Price Product Publicity Stealing
Words are so often used in the opposite sense, as a screen of diversion. It’s the struggle towards truthfulness which is the same whether one is writing a poem, a novel or an argument.
JOHN BERGER

Argument Diversion Opposite Same Screen Struggle Towards Truthfulness Use Word Writing
Matisse did neither. He clashed his colours together like cymbals and the effect was like a lullaby.
JOHN BERGER

Clash Color Cymbal Effect Lullaby Matisse Neither Together
You painted a naked woman because you enjoyed looking at her, put a mirror in her hand and you called the painting “Vanity,” thus morally condemning the woman whose nakedness you had depicted for you own pleasure.
JOHN BERGER

Enjoy Hand Look Mirror Morally Naked Paint Painting Pleasure Vanity Women

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