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Yet the first symbols were animals. What distinguished men from animals was born of their relationship with them.

John Berger

The strange power of art is sometimes it can show that what people have in common is more urgent than what differentiates them. It seems to me it’s something that theatre can do, but it’s rare; it’s very rare.
JOHN BERGER

Art Common Differentiate More People Power Rare Sometimes Strange Theatre Urgent
You can plan events, but if they go according to your plan they are not events.
JOHN BERGER

According Event Events Plan Plans
These contradictions both hide and increase the natural ambiguity of the photographic image.
JOHN BERGER

Ambiguity Contradiction Image Increase Natural Photo Photograph
The camera relieves us of the burden of memory. It surveys us like God, and it surveys for us. Yet no other god has been so cynical, for the camera records in order to forget.
JOHN BERGER

Burden Camera Forget God Like Memories Photography Relieve Survey Us Yet
The extreme proposition on which Giacometti based all his mature work was that no reality… could ever be shared. This is why he believed it impossible for a work to be finished. This is why the content of any work is not the nature of the figure or head portrayed but the incomplete history of him staring at it.
JOHN BERGER

Bases Extreme Finishing Giacometti History Impossible Incomplete Portrayed Proposition Reality Share Staring
Fanaticism comes from any form of chosen blindness accompanying the pursuit of a single dogma.
JOHN BERGER

Blindness Chosen Come Dogma Fantacism Form Pursuit
When he painted a road, the roadmakers were there in his imagination, when he painted the turned earth of a ploughed field, the gesture of the blade turning the earth was included in his own act.
JOHN BERGER

Earth Field Gesture Imagination Paint Ploughed Reality Road Roadmaker Turn Warth
Yet nowherein a zoo can a stranger encounter the look of an animal. At the most, the animal’s gaze flickers and passes on. They look sideways. They look blindly beyond.
JOHN BERGER

Animal Beyond Blindly Encounter Flicker Gaze Look Most Pass Stranger
The true content of a photograph is invisible, for it derives from a play, not with form, but with time.
JOHN BERGER

Invisible Photograph Play Time True
Writers who have neither product utopian trash.
JOHN BERGER

Neither Product Truth Utopian Writer
Nakedness reveals itself. Nudity is placed on display. The nude is condemned to never being naked. Nudity is a form of dress.
JOHN BERGER

Beauty Condemned Display Dresses Naked Nue Place
We can become anything. That is why injustice is impossible here. There may be the accident of birth, there is no accident of death. Nothing forces us to remain what we were.
JOHN BERGER

Accident Anything Birth Impossible Injustice May Nothing Remain
Common-sense is part of the home-made ideology of those who have been deprived of fundamental learning, of those who have been kept ignorant.
JOHN BERGER

Common Common Sense Deprive Fundamental Home Ideology Ignorant Learning Part Sense
Painting is something that you need to do, if not every day, then certainly most days. It is almost like being a pianist: if you stop, you lose something.
JOHN BERGER

Almost Being Certainly Certainty Need Painting Pianist Something
It is comparatively easy to achieve a certain unity in a picture by allowing one colour to dominate, or by muting all the colours.
JOHN BERGER

Allow Artist Certain Colour Comparitively Dominate Easy Mute Together Unity
But toemigrate is always to dismantle the centre of the world, and so to move into a lost, disoriented one of fragments.
JOHN BERGER

Always Centre Dismantle Emigrate Fragment Lost Move World

Yet the first symbols were animals. What distinguished men from animals was born of their relationship with them.

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Yet the first symbols were animals. What distinguished men from animals was born of their relationship with them.

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