Fanaticism comes from any form of chosen blindness accompanying the pursuit of a single dogma.
JOHN BERGERPhotographs bear witness to a human choice being exercised in a given situation.
More John Berger Quotes
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This determines not only most relations between men and women but also the relation of women to themselves.
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A drawing is an autobiographical record of one’s discovery of an event – either seen, remembered or imagined. A ‘finished’ work is an attempt to construct an event in itself.
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It is comparatively easy to achieve a certain unity in a picture by allowing one colour to dominate, or by muting all the colours.
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The unsung, impersonal world remains outside, on the other surface of a placenta. All songs, even when their content or rendering is strongly masculine, operate maternally.
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Without ethics man has no future. This is to say mankind without them cannot be itself.
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As Nelson Mandela has pointed out, boycott is not a principle, it is a tactic depending upon circumstances.
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Seeing comes before words. The child looks and recognizes before it can speak.
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We never look at just one thing; we are always looking at the relation between things and ourselves.
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Ever since the Greek tragedies, artists have, from time to time, asked themselves how they might influence ongoing political events.
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What any true painting touches is an absence – an absence of which without the painting, we might be unaware. And that would be our loss.
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To be naked is to be oneself. To be nude is to be seen naked by others and yet not recognised for oneself.
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The past is the one thing we are not prisoners of. We can do with the past exactly what we wish. What we can’t do is to change its consequences.
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This was once achieved by extensive deprivation. Today in the developed countries it is being achieved by imposing a false standard of what is and what is not desirable.
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At times failure is very necessary for the artist. It reminds him that failure is not the ultimate disaster. And this reminder liberates him from the mean fussing of perfectionism.
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The extreme proposition on which Giacometti based all his mature work was that no reality… could ever be shared. This is why he believed it impossible for a work to be finished. This is why the content of any work is not the nature of the figure or head portrayed but the incomplete history of him staring at it.
JOHN BERGER