The past is the one thing we are not prisoners of. We can do with the past exactly what we wish. What we can’t do is to change its consequences.
JOHN BERGERYet nowherein a zoo can a stranger encounter the look of an animal. At the most, the animal’s gaze flickers and passes on. They look sideways. They look blindly beyond.
More John Berger Quotes
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Hope is a contraband passed from hand to hand and story to story.
JOHN BERGER -
What makes photography a strange invention is that its primary raw materials are light and time.
JOHN BERGER -
If the public photograph contributes to a memory, it is to the memory of an unknowable and total stranger.
JOHN BERGER -
One can say of language that it is potentially the only human home, the only dwelling place that cannot be hostile to man.
JOHN BERGER -
Fanaticism comes from any form of chosen blindness accompanying the pursuit of a single dogma.
JOHN BERGER -
I can’t tell you what art does and how it does it, but I know that often art has judged the judges, pleaded revenge to the innocent and shown to the future what the past suffered, so that it has never been forgotten.
JOHN BERGER -
You painted a naked woman because you enjoyed looking at her, put a mirror in her hand and you called the painting “Vanity,” thus morally condemning the woman whose nakedness you had depicted for you own pleasure.
JOHN BERGER -
Oil painting did to appearances what capital did to social relations. It reduced everything to the equality of objects.
JOHN BERGER -
Publicity is the life of this culture – in so far as without publicity capitalism could not survive – and at the same time publicity is its dream.
JOHN BERGER -
A photograph is a result of the photographer’s decision that it is worth recording that this particular event or this particular object has been seen. If everything that existed were continually being photographed, every photograph would become meaningless.
JOHN BERGER -
Everything became exchangeable because everything became a commodity.
JOHN BERGER -
Art, when it functions like this, becomes a meeting-place of the invisible, the irreducible, the enduring, guts, and honor.
JOHN BERGER -
When we read a story, we inhabit it. The covers of the book are like a roof and four walls.
JOHN BERGER -
Unlike any other visual image, a photograph is not a rendering, an imitation or an interpretation of its subject, but actually a trace of it.
JOHN BERGER -
Today the discredit of words is very great.
JOHN BERGER