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Buildings become furniture, courtyards become carpets and arrases, the streets are like galleries, the boulevards conservatories. It is a house, one or two centuries old, rich, bourgeois, distinguished. The only way of going out, or shutting the door behind you, is to leave the centre.

John Berger

The spectator-buyer is meant to envy herself as she will become if she buys the product.
JOHN BERGER

Buy Buyer Envy Herself Imagine Meant Product Spectator
The zoo cannot but disappoint.
JOHN BERGER

Animal Disappoint Pet Zoos
To remain innocent may also be. to remain ignorant.
JOHN BERGER

Ignorant Innocent May Remain
Yet nowherein a zoo can a stranger encounter the look of an animal. At the most, the animal’s gaze flickers and passes on. They look sideways. They look blindly beyond.
JOHN BERGER

Animal Beyond Blindly Encounter Flicker Gaze Look Most Pass Stranger
This determines not only most relations between men and women but also the relation of women to themselves.
JOHN BERGER

Determine Effection Men Most Only Relation Relationship Themselves Wome
Modern thought has transferred the spectral character of Death to the notion of time itself. Time has become Death triumphant over all.
JOHN BERGER

Character Death Modern Notion Spectular Time Transferred
What distinguished man from animals was the human capacity for symbolic thought, the capacity which was inseparable from the development of language in which words were not mere signals, but signifiers of something other than themselves.
JOHN BERGER

Animal Capacity Development First Human In Language Men Separate Signal Symbolic
Capitalism survives by forcing the majority, whom it exploits, to define their own interests as narrowly as possible.
JOHN BERGER

Capitalism Country Define Exploit Interest Majority Narrow Possible Survive Today
[O]ften art has judged the judges, pleaded revenge to the innocent and shown to the future what the past suffered, so that it has never been forgotten.
JOHN BERGER

Art Future Innocent Judge never Often Past Revenge Shown Suffer
I can’t tell you what art does and how it does it, but I know that often art has judged the judges, pleaded revenge to the innocent and shown to the future what the past suffered, so that it has never been forgotten.
JOHN BERGER

Art Can Forgotten Innocent Judge Know Past Revenge Show
Painting is something that you need to do, if not every day, then certainly most days. It is almost like being a pianist: if you stop, you lose something.
JOHN BERGER

Almost Being Certainly Certainty Need Painting Pianist Something
Every authentic poem contributes to the labor of poetry… to bring together what life has separated or violence has torn apart…
JOHN BERGER

Apart Authentic Bring Contribute Labor Life Loss Poem Poetry Space Together Violence
Drawing is a way of coming upon the connection between things, just like metaphor in poetry reconnects what has become separated.
JOHN BERGER

Comic Connection Connections Draw Drawing Metaphor Reconnect Separate Upon Way
The impulse to paint comes neither from observation nor from the soul (which is probably blind) but from an encounter: the encounter between painter and model: even if the model is a mountain or a shelf of empty medicine bottles.
JOHN BERGER

Blind Bottle Come Encounter Impulse Medicine Mountain Observation Soul
Protest and anger practically always derives from hope, and the shouting out against injustice is always in the hope of those injustices being somewhat corrected and a little more justice established.
JOHN BERGER

Adjustment Against Derive Hope Injustice Justice Little Protest Shouting
History always constitutes the relation between a present and its past. Consequently fear of the present leads to mystification of the past
JOHN BERGER

Always Constitute History Past Present Relation

Buildings become furniture, courtyards become carpets and arrases, the streets are like galleries, the boulevards conservatories. It is a house, one or two centuries old, rich, bourgeois, distinguished. The only way of going out, or shutting the door behind you, is to leave the centre.

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Buildings become furniture, courtyards become carpets and arrases, the streets are like galleries, the boulevards conservatories. It is a house, one or two centuries old, rich, bourgeois, distinguished. The only way of going out, or shutting the door behind you, is to leave the centre.

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Popular Authors

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