To be naked is to be oneself. To be nude is to be seen naked by others and yet not recognized for oneself. A naked body has to be seen as an object in order to become a nude.
JOHN BERGERTo be naked is to be oneself. To be nude is to be seen naked by others and yet not recognized for oneself. A naked body has to be seen as an object in order to become a nude.
JOHN BERGERMatisse did neither. He clashed his colours together like cymbals and the effect was like a lullaby.
JOHN BERGEROurs is the century of enforced travel of disappearances.
JOHN BERGERNo painting or drawing, however naturalist, belongs to its subject in the way that a photograph does.
JOHN BERGEROne of the fundamental reasons why so many doctors become cynical and disillusioned is precisely because, when the abstract idealism has worn thin, they are uncertain about the value of the actual lives of the patients they are treating.
JOHN BERGERNever chain your dogs together with sausages. One must accustom one’s self to be bored.
JOHN BERGERYet the first symbols were animals. What distinguished men from animals was born of their relationship with them.
JOHN BERGERWords are so often used in the opposite sense, as a screen of diversion. It’s the struggle towards truthfulness which is the same whether one is writing a poem, a novel or an argument.
JOHN BERGERWhat is saved in the cinema when it achieves art is a spontaneous continuity with all mankind.
JOHN BERGERCompassion opposes this order and is therefore best thought of as being in some way supernatural.
JOHN BERGERAll photographs are there to remind us of what we forget. In this – as in other ways – they are the opposite of paintings.
JOHN BERGERThe stars threaded on that line were like events threaded on a narrative. Imagining the constellations did not of course change the stars, nor did it change the black emptiness that surrounds them. What it changed was the way people read the night sky.
JOHN BERGERThe extreme proposition on which Giacometti based all his mature work was that no reality… could ever be shared. This is why he believed it impossible for a work to be finished. This is why the content of any work is not the nature of the figure or head portrayed but the incomplete history of him staring at it.
JOHN BERGERThe envied are like bureaucrats; the more impersonal they are, the greater the illusion (for themselves and for others) of their power.
JOHN BERGERJapanese art looked closely around screens; Italian Renaissance art surveyed conquered nature through the window or door-frame of a palace.
JOHN BERGEREvery city has a sex and an age which have nothing to do with demography. Rome is feminine. So is Odessa. London is a teenager, an urchin, and, in this, hasn’t changed since the time of Dickens. Paris, I believe, is a man in his twenties in love with an older woman.
JOHN BERGER