Sometimes, I must admit, I’d like to have a second guitarist onstage with me, but it wouldn’t look right. I’d like to play for another 20 years, but I don’t know. I just can’t see it happening. I don’t know why. It’s a certain foreboding. A funny feeling. Vultures.
I always felt if we were going in to do an album, there should already be a lot of structure already made up so we could get on with that and see what else happened.
Once I get onstage the tension explodes and I’m fine. I’m in another world – in a trance almost, doing what I love best, expressing myself through guitar.
I do not worship the devil. But magic does intrigue me. Magic of all kinds. I bought Crowley’s house to go up and write in. The thing is, I just never get up that way. Friends live there now.
From the classical guitar right through to the furthest electrical experiments and everything in-between, it’s amazing what the guitar can actually do. I mean, when one thinks about sounds.
There’s such a wealth of arts and styles within the guitar… flamenco, jazz, rock, blues. You name it, it’s there. In the early days my dream was to fuse all those styles. Now composing has become just as important.
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