“I have inherited two of the most important brands in hip-hop, Def Jam and Roc-A-Fella. Reid and Universal Music Group have given me the opportunity to manage the companies I have contributed to my whole career. I feel this is a giant step for me and the entire artist community.”

Religion is like a personal computer. You let people in if you want to… We’re all gods.

My dad was such a good dad that when he left, he left a huge scar. He was my superhero.

I think that’s what happened to the record business when ‘Napster’ came around. The industry rejected what was happening instead of accepting it as change.

The average rap life is two or three albums. You’re lucky to get to your second album in rap!

Growing up, politics never trickled down to the areas we come from. But people from Obama’s camp, and Obama himself, reached out to me and asked for my help on the campaign. We’ve sat and had dinner, and we’ve spoken on the phone. He’s a very sharp guy. Very charming. Very cool.

I don’t think any rapper can go back. You can be a car salesman, a bank teller – I mean, really good jobs, and people are still gonna look at you and be like, ‘You used to rap; what happened?’

Hip-hop has done more for race relations than most cultural icons; and I say save Martin Luther King, because his ‘I Have A Dream’ speech was realized when Obama was elected into office.

I try to make music with emotion and integrity. And authenticity.

I’ve talked to Bill Clinton – he’s the ultimate rock star; no one’s more charming than him. People clap in a restaurant when he finishes dinner! I don’t get that treatment. I get it when I walk onstage, but not when I have dinner.

Music is everywhere – you consume it every day, everywhere you go. The content creator should be compensated. It’s only fair.

I don’t have any fear of working with Samsung because I’m not gonna let them put a phone on my forehead; that’s just never gonna happen.

I remember the first time I saw the ‘Sugarhill Gang’ on Soul Train. I was 11 or 12. I was like, ‘What’s going on? How did those guys get on national TV?’ And then, when I was a little older, a rapper from the neighborhood got a record deal. I was shocked.

I’ve said the election of Obama has made the hustler less relevant. People took it in a way that I was almost dismissing what I am. And I was like, ‘No, it’s a good thing!’

The challenge is to get everyone to respect music again, to recognize its value.

When the TV version of Annie came on, I was drawn to it. It was the struggle of this poor kid in this environment and how her life changed. It immediately resonated.

I was never a worker. And that’s not even being arrogant. I was just never a worker.

The principles of true hip-hop have been forsaken, It’s all contractual and about money makin’.

We missed a lot of church, so the music is our confessional.

I’m gettin’ stacks while you askin’ people, ‘Do you want some fries with that?’

Mark you for death, won’t even talk that East or West crap. From Watts to Lefrak, it ain’t where ya from, it’s where’s your gat.

Im known for snatchin’ purses and bombin’ churches I get more pussy on accident then most niggas get on purpose

I won’t say I’m the baddest, or portray that role, But I’m in the top 2, and my father’s gettin’ old.

Rappers act so wild, and love to profile, Frontin’ hard, but ain’t got no style.

I know you like the way I am freakin’ it. I talk with slang and I’m never gonna stop speakin’ it.