The burden of poverty isn’t just that you don’t always have the things you need: it’s the feeling of being embarrassed every day of your life, and you’d do anything to lift that burden.
JAY-ZFor me, being with Obama or having dinner with Bill Clinton… it’s crazy. It’s mind-blowing, because where I come from is just another world. We were just ignored by politicians – by America in general.
More Jay-Z Quotes
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My passion is music, you know, and music influences culture, influences lifestyle, which leads me to ‘Roc-A-Wear’. I was forced to be an entrepreneur, so that led me to be CEO of ‘Roc-A-Fella’ records, which lead to Def Jam.
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I have no idea what my teacher’s intentions were – whether she was trying to inspire us or if she actually thought visiting her Manhattan brownstone with her view of Central Park qualified as a school trip.
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We have to stretch out the audience. It can’t be this narrow – we have to stretch out the point of view.
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I know I’m a different person. But nothing can erase that era, those times, those memories, those fights to get ‘Roc-A-fella’ where it was.
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All my businesses are part of the culture, so I have to stay true to whatever I’m feeling at the time, whatever direction I’m heading in.
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You don’t have that fear. So why do you think people get stuck in those boxes? It’s that fear of going back down.
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I grew up in Marcy Projects in Brooklyn, and my mom and pop had an extensive record collection, so Michael Jackson and Stevie Wonder and all of those sounds and souls of Motown filled the house.
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As kids, we didn’t complain about being poor; we talked about how rich we were going to be and made moves to get the lifestyle we aspired to by any means we could.
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I was never a worker. And that’s not even being arrogant. I was just never a worker.
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I’m going to make a very bold statement: Hip-hop has done more than any leader, politician, or anyone to improve race relations.
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People wanted to make products based on our child’s name, and you don’t want anybody trying to benefit off your baby’s name.
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I remember the first time I saw the ‘Sugarhill Gang’ on Soul Train. I was 11 or 12. I was like, ‘What’s going on? How did those guys get on national TV?’ And then, when I was a little older, a rapper from the neighborhood got a record deal. I was shocked.
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When the TV version of Annie came on, I was drawn to it. It was the struggle of this poor kid in this environment and how her life changed. It immediately resonated.
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Everyone who makes music is a good collaborator at their foundation because in order to make music, you have to connect to it in a way that other people can’t.
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When I came into the music, I was forced to be a CEO. I was forced to be an entrepreneur; I was forced to… because I was looking for a deal. I didn’t have this grand scheme of starting a record company and then morphing into a clothing empire.
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