[Lyndon Baines Johnson ] technique in negotiation would be that he’d lean into you and take away your personal space, it didn’t matter your party affiliation when he was trying to convince you of something.
JAY ROACHBut I always reassure them that as far as my contractual rights can go, I will protect them and make sure that they have approval over every bit of it so that they know I won’t show something that’s embarrassing.
More Jay Roach Quotes
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[Dalton] Trumbo himself was a terrible Communist.
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I’ve recently enjoyed the Paul Thomas Anderson commentaries and the David Fincher commentaries.
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To his credit John Wayne was open about it, he even portrayed a member of the House UnAmerican Activities Committee in a film called ‘Big Jim McClain.’
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But I always reassure them that as far as my contractual rights can go, I will protect them and make sure that they have approval over every bit of it so that they know I won’t show something that’s embarrassing.
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I really enjoy the consolation when I’m having to cut loose stuff I love, of saying ‘Well, at least it will make it onto DVD.’ There’s a couple of scenes which I liked very much, but couldn’t fit them into the film that are on there.
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I like to shoot a lot of choices. I like a lot of stuff – and so I push to go faster, to shrink the time between the takes so that the takes are what you’re spending all your time on.
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Once you’re a public figure, there’s a certain amount of privacy you do give up.
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[Lyndon Baines ] Johnson is a big and larger-than-life guy, we just tried to give him the dynamic range that he actually had.
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When I’m shooting, really the audience I’m thinking the hardest about is that first test screening audience who I want to like the film and that first opening weekend audience.
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It’s hard to imagine in this day and age the accent in Dalton Trumbo speaking voice, the Mid Atlantic mixture of an English and American dialect, so flowery and oratorical that it almost sounds theatrical. It would be uncool today, no one would ever speak that way.
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Mini-Me was the pint sized clone that was the perpetuation of Dr. Evil’s own legacy [in Austin Powers]. That concept earned the sequel.
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Hedda’s Hopper attitude was ‘once a Commie, always a Commie.’
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I’m developing some other things in other genres, including one dramatic piece. So, anything’s possible.
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I wish I was sort of someone like Woody Allen who can stage everything in one long master shot, no coverage; just, you know, that’s it.
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Sometimes perfecting the one thing can be the enemy of getting any traction on anything else.
JAY ROACH