There’s people who actually have a whole science devoted to what makes a sticky meme and that idea of that question of why some ideas about how civilizations work catch on and others don’t.
JAY ROACHIn his life, [Dalton] Trumbo uses wit and comedy to fight these very high-stakes battles.
More Jay Roach Quotes
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People have an actual bias against there being some kind of popularity for political films, and when they get acknowledged, it helps keep the conversation going.
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Sometimes I would like the opportunity to do character-driven comedy and that’s really what I was trying to do in Meet The Parents. I think in a way this is a more old fashioned type of comedy.
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Sometimes you fall in love with some things and then you fall out of love with it.
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One of the series of decisions that the great screenwriter John McNamara made was about who to depict. [Ronald] Reagan had a role in HUAC, he was a friendly witness, but never went over-the-top about it.
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For Bryan [Cranston ] to go back in time and become this larger-than-life and somewhat theatrical guy, who performed his ideas and rhetoric in public in a melodic and flashy way, was a bit of a risk.
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The success of the second ‘Austin Powers’ caught us by surprise a little bit. We had decided not to do even a second one, unless the audience wanted it and we could do something better.
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Dalton Trumbo was constantly criticizing the membership [in the Communist Party], and was opposite to being a loyalist.
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When Dalton Trumbo and his friends joined the Communist Party it was 1943, and Russia was our ally in World War II. This was connected to a very popular movement of artists and intellectuals at that time towards anti fascism, and an alliance with the union movement.
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I wish I was sort of someone like Woody Allen who can stage everything in one long master shot, no coverage; just, you know, that’s it.
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I love Dr. Evil [from Austin Powers] as a walking, talking, narcissistic manifestation of everything screwed up about human existence – his desire to take over the world, and have the world reflect his own power lust.
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I like to shoot a lot of choices. I like a lot of stuff – and so I push to go faster, to shrink the time between the takes so that the takes are what you’re spending all your time on.
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[Lyndon Baines ] Johnson is a big and larger-than-life guy, we just tried to give him the dynamic range that he actually had.
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This is a movie version of the play [All the Way]and when Bryan [Cranston] was on stage the bigness of the man was played to the back of the house. When we turned the cameras on that, it changed a bit with close-ups, but we got just as much power in that beautiful intimacy.
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Hedda’s Hopper attitude was ‘once a Commie, always a Commie.’
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I’m developing some other things in other genres, including one dramatic piece. So, anything’s possible.
JAY ROACH