“Very difficult to understand American audience, what they like, what they don’t like. Some movie I like very much, it doesn’t work. Some movie I don’t like, it gets big box office. Very difficult.”

No matter how much more I practice, my English will never be perfect. If it is really terrible, I’ll correct it, but otherwise, I do it my Jackie Chan way.

We learn martial arts as helping weakness. You never fight for people to get hurt. You’re always helping people.

I hope next time when we meet, we won’t be fighting each other. Instead we will be drinking tea together.

We have to do what we can to help wherever and whenever it is possible for us to help.

Most of the time, I’m not even working; I’m just helping people, because I feel that I am too lucky.

Anyone can be a Superman, but nobody can be Jackie Chan.

I’m good for some things, bad for a lot of things.

It only hurts when I’m not laughing.

The children right now, the young children, everybody should go to a martial arts school. Why? Because as soon as they go to a martial arts school, they learn discipline.

Sometimes I do need to go to karaoke, sometimes I need to relax.

I don’t want to be an action star, an action star’s life is so short. I want my life to get longer, I want my career to get longer.

When I was a young stunt guy the director would say: “You’re useless” But I wanted to be the best, I wanted to be a super stunt guy. That’s how I built myself, because of martial arts and everything.

When I got depressed, I watched Bruce Lee movies. I learned everything from Bruce Lee.

I’m tired of fighting. I’ve always known that I can’t be an action star all my life.

I allowed myself to be bullied because I was scared and didn’t know how to defend myself. I was bullied until I prevented a new student from being bullied. By standing up for him, I learned to stand up for myself.

Why did I become Jackie Chan? Mostly because I work very hard. When people were sleeping, I was still training.

As far as how much you listen to the audience, you listen to them when they really hate something.

When you dance and move around it creates a different reaction from the audience – they love it.

Long gone are the days of the stylised old James Bond films with Roger Moore karate chopping his way through the bad guys – audiences are not going to buy it anymore.

I don’t think there’s anything that I would call essentially Brazilian in João Gilberto Noll work. In that regard, it translates very well to a cosmopolitan audience.

The only difference with wrestling is we’re like a live performance. So we’re feeding off the audience and if they do’t like something, they can let us know immediately.

Journalism is very much public writing, writing with an audience in mind, writing for publication, and frequently writing quickly.

You’re constantly growing and you’re constantly progressing and changing up you’re style and gauging an audience to make sure that audience is enjoying what you’re doing.

I think if you create something and you get an audience for it, then the monetization part is really secondary.