Every artist is an unhappy lover. And unhappy lovers want to tell their story.
IRIS MURDOCHPerhaps there was an intimacy which did not need words.
More Iris Murdoch Quotes
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Hegel says that Truth is a great word and the thing is greater still. With Dave we never seemed to get past the word.
IRIS MURDOCH -
This sort of quiet gazing, which was like a feeding of the heart.
IRIS MURDOCH -
Every persisting marriage is based on fear’, said Peregrine. ‘Fear is fundamental, you dig down in human nature and what’s at the bottom? Mean spiteful cruel self-regarding fear, whether it makes you to put the foot in it or whether it makes you to cower.
IRIS MURDOCH -
We need a moral philosophy which can speak significantly of Freud and Marx and out of which aesthetic and political views can be generated. We need a moral philosophy in which the concept of love, so rarely mentioned now, can once again be made central.
IRIS MURDOCH -
The most essential and fundamental aspect of culture is the study of literature, since this is an education in how to picture and understand human situations.
IRIS MURDOCH -
Violence is born of the desire to escape oneself.
IRIS MURDOCH -
I just enjoy translating, it’s like opening one’s mouth and hearing someone else’s voice emerge.
IRIS MURDOCH -
Every book is the wreck of a perfect idea.
IRIS MURDOCH -
There is no substitute for the comfort supplied by the utterly taken-for-granted relationship.
IRIS MURDOCH -
Love doesn’t think like that. All right, it’s blind as a bat- Bats have radar. Yours doesnt seem to be working.
IRIS MURDOCH -
Art and psychoanalisis give shape and meaning to life and that’s why we adore them. However, life as it is lived has no shape nor meaning, and that’s what I am experiencing right now.
IRIS MURDOCH -
To lose somebody is to lose not only their person but all those modes and manifestations into which their person has flowed outwards; so that in losing a beloved one may find so many things, pictures, poems, melodies, places lost too: Dante, Avignon, a song of Shakespeare’s, the Cornish sea.
IRIS MURDOCH -
I don’t think I can marry, I’m not fit for it, I’m not real enough. That’s the trouble. I’m a puppet that’s realised what’s wrong with itself and it’s horrible. I’m propped up somewhere all alone, watching the real people go past. I’m propped up crying in a corner.
IRIS MURDOCH -
I felt a deep grief that crouched and stayed still as if it was afraid to move.
IRIS MURDOCH -
People have obsessions and fears and passions which they don’t admit to. I think every character is interesting and has extremes. It’s the novelist privilege to see how odd everyone is.
IRIS MURDOCH