Atmosphere, not action, is the great desideratum of weird fiction. Indeed, all that a wonder story can ever be is a vivid picture of a certain type of human mood.
H. P. LOVECRAFTThe monotony of a long heroic poem may often be pleasantly relieved by judicious interruptions in the perfect succession of rhymes, just as the metre may sometimes be adorned with occasional triplets and Alexandrines.
More H. P. Lovecraft Quotes
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Write out the story – rapidly, fluently, and not too critically – following the second or narrative-order synopsis. Change incidents and plot whenever the developing process seems to suggest such change, never being bound by any previous design.
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The end of a story must be stronger rather than weaker than the beginning, since it is the end which contains the denouement or culmination and which will leave the strongest impression upon the reader.
H. P. LOVECRAFT -
The monotony of a long heroic poem may often be pleasantly relieved by judicious interruptions in the perfect succession of rhymes, just as the metre may sometimes be adorned with occasional triplets and Alexandrines.
H. P. LOVECRAFT -
All of my tales are based on the fundamental premise that common human laws and emotions have no validity or significance in the cosmos-at-large.
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Truth is of no practical value to mankind save as it affects terrestrial phenomena, hence the discoveries of science should be concealed or glossed over wherever they conflict with orthodoxy.
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Life is a hideous thing, and from the background behind what we know of it peer daemoniacal hints of truth which make it sometimes a thousandfold more hideous.
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No formal course in fiction-writing can equal a close and observant perusal of the stories of Edgar Allan Poe or Ambrose Bierce.
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We live on a placid island of ignorance in the midst of black seas of infinity, and it was not meant that we should voyage far.
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I never ask a man what his business is, for it never interests me. What I ask him about are his thoughts and dreams.
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There are not many persons who know what wonders are opened to them in the stories and visions of their youth; for when as children we listen and dream, we think but half-formed thoughts, and when as men we try to remember, we are dulled and prosaic with the poison of life.
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We should perceive that man’s period of historical existence, a period so short that his physical constitution has not been altered in the slightest degree, is insufficient to allow of any considerable mental change.
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Even when the characters are supposed to be accustomed to the wonder, I try to weave an air of awe and impressiveness corresponding to what the reader should feel. A casual style ruins any serious fantasy.
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To me, there is nothing but puerility in a tale in which the human form – and local human passions and conditions and standards – are depicted as native to other worlds and universes.
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Blue, green, grey, white, or black; smooth, ruffled, or mountainous; that ocean is not silent.
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Of our relation to all creation we can never know anything whatsoever. All is immensity and chaos. But, since all this knowledge of our limitations cannot possibly be of any value to us, it is better to ignore it in our daily conduct of life.
H. P. LOVECRAFT