I never ask a man what his business is, for it never interests me. What I ask him about are his thoughts and dreams.
H. P. LOVECRAFTThe end of a story must be stronger rather than weaker than the beginning, since it is the end which contains the denouement or culmination and which will leave the strongest impression upon the reader.
More H. P. Lovecraft Quotes
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If I could create an ideal world, it would be an England with the fire of the Elizabethans, the correct taste of the Georgians, and the refinement and pure ideals of the Victorians.
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We live on a placid island of ignorance in the midst of black seas of infinity, and it was not meant that we should voyage far.
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The cat is classic whilst the dog is Gothic – nowhere in the animal world can we discover such really Hellenic perfection of form, with anatomy adapted to function, as in the felidae.
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Certain of Poe’s tales possess an almost absolute perfection of artistic form which makes them veritable beacon-lights in the province of the short story.
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Fear is our deepest and strongest emotion, and the one which best lends itself to the creation of nature-defying illusions.
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Heaven knows where I’ll end up – but it’s a safe bet that I’ll never be at the top of anything! Nor do I particularly care to be.
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If religion were true, its followers would not try to bludgeon their young into an artificial conformity; but would merely insist on their unbending quest for truth, irrespective of artificial backgrounds or practical consequences.
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What a man does for pay is of little significance. What he is, as a sensitive instrument responsive to the world’s beauty, is everything!
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Cosmic terror appears as an ingredient of the earliest folklore of all races and is crystallised in the most archaic ballads, chronicles, and sacred writings.
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Science, already oppressive with its shocking revelations, will perhaps be the ultimate exterminator of our human species – if separate species we be – for its reserve of unguessed horrors could never be borne by mortal brains if loosed upon the world.
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Write out the story – rapidly, fluently, and not too critically – following the second or narrative-order synopsis. Change incidents and plot whenever the developing process seems to suggest such change, never being bound by any previous design.
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No formal course in fiction-writing can equal a close and observant perusal of the stories of Edgar Allan Poe or Ambrose Bierce.
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Blue, green, grey, white, or black; smooth, ruffled, or mountainous; that ocean is not silent.
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The most merciful thing in the world, is the inability of the human mind to correlate all its contents.
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To me, there is nothing but puerility in a tale in which the human form – and local human passions and conditions and standards – are depicted as native to other worlds and universes.
H. P. LOVECRAFT