Truth is of no practical value to mankind save as it affects terrestrial phenomena, hence the discoveries of science should be concealed or glossed over wherever they conflict with orthodoxy.
H. P. LOVECRAFTTruth is of no practical value to mankind save as it affects terrestrial phenomena, hence the discoveries of science should be concealed or glossed over wherever they conflict with orthodoxy.
H. P. LOVECRAFTI could not write about ‘ordinary people’ because I am not in the least interested in them.
H. P. LOVECRAFTWe shall see that at which dogs howl in the dark, and that at which cats prick up their ears after midnight.
H. P. LOVECRAFTWe should perceive that man’s period of historical existence, a period so short that his physical constitution has not been altered in the slightest degree, is insufficient to allow of any considerable mental change.
H. P. LOVECRAFTHeaven knows where I’ll end up – but it’s a safe bet that I’ll never be at the top of anything! Nor do I particularly care to be.
H. P. LOVECRAFTThe end of a story must be stronger rather than weaker than the beginning, since it is the end which contains the denouement or culmination and which will leave the strongest impression upon the reader.
H. P. LOVECRAFTBut are not the dreams of poets and the tales of travellers notoriously false?
H. P. LOVECRAFTWe live on a placid island of ignorance in the midst of black seas of infinity, and it was not meant that we should voyage far.
H. P. LOVECRAFTBunch together a group of people deliberately chosen for strong religious feelings, and you have a practical guarantee of dark morbidities expressed in crime, perversion, and insanity.
H. P. LOVECRAFTThe most merciful thing in the world, is the inability of the human mind to correlate all its contents.
H. P. LOVECRAFTIt is a mistake to fancy that horror is associated inextricably with darkness, silence, and solitude.
H. P. LOVECRAFTChildren, old crones, peasants, and dogs ramble; cats and philosophers stick to their point.
H. P. LOVECRAFTCertain of Poe’s tales possess an almost absolute perfection of artistic form which makes them veritable beacon-lights in the province of the short story.
H. P. LOVECRAFTWrite out the story – rapidly, fluently, and not too critically – following the second or narrative-order synopsis. Change incidents and plot whenever the developing process seems to suggest such change, never being bound by any previous design.
H. P. LOVECRAFTI am disillusioned enough to know that no man’s opinion on any subject is worth a damn unless backed up with enough genuine information to make him really know what he’s talking about.
H. P. LOVECRAFTOne can never produce anything as terrible and impressive as one can awesomely hint about.
H. P. LOVECRAFT