The end of a story must be stronger rather than weaker than the beginning, since it is the end which contains the denouement or culmination and which will leave the strongest impression upon the reader.
H. P. LOVECRAFTThe most merciful thing in the world, is the inability of the human mind to correlate all its contents.
More H. P. Lovecraft Quotes
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Throw a stick, and the servile dog wheezes and pants and shambles to bring it to you. Do the same before a cat, and he will eye you with coolly polite and somewhat bored amusement.
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The monotony of a long heroic poem may often be pleasantly relieved by judicious interruptions in the perfect succession of rhymes, just as the metre may sometimes be adorned with occasional triplets and Alexandrines.
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I fear my enthusiasm flags when real work is demanded of me.
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We should perceive that man’s period of historical existence, a period so short that his physical constitution has not been altered in the slightest degree, is insufficient to allow of any considerable mental change.
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Life is a hideous thing, and from the background behind what we know of it peer daemoniacal hints of truth which make it sometimes a thousandfold more hideous.
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The world is indeed comic, but the joke is on mankind.
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One superlatively important effect of wide reading is the enlargement of vocabulary which always accompanies it.
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The ‘punch’ of a truly weird tale is simply some violation or transcending of fixed cosmic law – an imaginative escape from palling reality – hence, phenomena rather than persons are the logical ‘heroes.’
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We shall see that at which dogs howl in the dark, and that at which cats prick up their ears after midnight.
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Man’s respect for the imponderables varies according to his mental constitution and environment. Through certain modes of thought and training, it can be elevated tremendously, yet there is always a limit.
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To me, there is nothing but puerility in a tale in which the human form – and local human passions and conditions and standards – are depicted as native to other worlds and universes.
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The reason why time plays a great part in so many of my tales is that this element looms up in my mind as the most profoundly dramatic and grimly terrible thing in the universe.
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In theory I am an agnostic, but pending the appearance of rational evidence, I must be classed, practically and provisionally, as an atheist.
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The appeal of the spectrally macabre is generally narrow because it demands from the reader a certain degree of imagination and a capacity for detachment from everyday life.
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I am disillusioned enough to know that no man’s opinion on any subject is worth a damn unless backed up with enough genuine information to make him really know what he’s talking about.
H. P. LOVECRAFT






