We can all be conned but at what point do we realize that we’re being conned and to what point do we allow ourselves to be conned?
GUY RITCHIEI suppose directing on set is the most fun because it’s a good crack and you feel you’re on the battlefield whereas writing is a fairly solitary undertaking.
More Guy Ritchie Quotes
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Brad [Pitt], poor geezer, was blown up, thrown around, burned, slapped, frozen. But never a moan or a whine. Now that’s what I call a real star.
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It’s still too early to say how my wife will influence my life. But I do already know that it’s sometimes hard work living with her.
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I think there’s a natural system in your own head about how much violence the scene warrants. It’s not an intellectual process, it’s an instinctive process.
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I am relatively familiar with getting a good old rumping from the critics. In some cases, the critics just didn’t like the film – fair cop. Others, I think, didn’t understand it.
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We are not that flash, me or the missus. In fact, we are quite low-maintenance.
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I think everything you do, characters I always find, have their own voices and once you establish who that character is you find a different voice. I think it’s just a question of establishing that character and the voice speaks through that character.
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It’s OK to have beliefs, just don’t believe in them.
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I still love her. But she’s retarded, too.
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I love fatherhood. I could bang on about kids forever.
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I got too fed up with films that didn’t make you think. I liked the idea of one that you’d have to be dancing around with. I like my mind to be engaged when I watch a film.
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We’re not unique. We’re quite volatile as individuals, but that doesn’t work exponentially when we are together. Relationships are about eating humble pie.
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Jake Green isn’t just Jake Green. Jake represents all of us. The colour green is the central column of the spectrum and the name Jake has all sorts of numerical values. All things come back to him within the film’s world of cons and games.
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I got into film-making because I was interested in making entertaining movies, which I felt there was a lack of.
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Previously, on Lock, Stock, I went to bed at two in the morning and woke up at five in the morning, and on this one I was known to nod off on the set occasionally.
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It’s not easy to strap yourself down to a desk and bash on a keyboard when you know you can direct lots of films, because directing films is fun and interactive and gregarious. Writing isn’t.
GUY RITCHIE