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And Later I Thought, I Can’t Think How Anyone Can Become a Director Without Learning the Craft of Cinematography.

Gus Van Sant

Everything’s changing so fast that it’s sometimes hard to keep up.
GUS VAN SANT

Hard Something Sometimes
One of the things that is devastating is I realise I haven’t been living a different life than when I was, like, 12. I’m shocked at how reclusive I’ve been since then. I was unaware of it until recently.
GUS VAN SANT

Different Haven Realising
When you get to be 23, 24 or 25, you start to freeze up and become an adult.
GUS VAN SANT

Adult Adults Freeze
And Later I Thought, I Can’t Think How Anyone Can Become a Director Without Learning the Craft of Cinematography.
GUS VAN SANT

Inspiring Movie Thinking
Casting the locals is my primary concern because all the other things you assume will be manageable.
GUS VAN SANT

Assuming Casting Concern
Now the music industry is sort of like a Craigslist venture, right? Where you’re making your own records and selling them online.
GUS VAN SANT

Records Selling Venture
Apparently there’s this kind of songbird that thinks it dies every time the sun goes down. In the morning, when it wakes up, it’s totally shocked to still be alive—so it sings this really beautiful song.
GUS VAN SANT

Beautiful Morning Song
I’ve told people who have just started to make a film that the one thing you might experience is this feeling that everybody is conspiring against you, because you’re not necessarily able to tell what’s real and what’s not.
GUS VAN SANT

Feelings People Real
Silent is about needing to make a scene shorter by having physical things to cut to. That way, you can manipulate a character to the other side of the room. But, if they say the wrong thing, it might locate that action in a particular part of the scene. It’s a mechanical need.
GUS VAN SANT

Character Cutting Needs
No construction stiff working overtime takes more stress and straining than we did just to stay high.
GUS VAN SANT

Addiction Construction Stress
A lot of times, you’re not necessarily off the page because you haven’t been able to take the time to prepare a character. It’s very easy to find even great actors reading it more like a reading. Things aren’t really coming alive yet, even though you know they will.
GUS VAN SANT

Actor Character Reading
When you’re on a film and you’re doubting something, it’s usually because you don’t think the audience is going to like it.
GUS VAN SANT

Doubt Film Thinking
I’ve always been interested in how to present something that relates to our reality – which is not really… I don’t even know if documentary itself does as good a job. It has its own problems in trying to get at the reality of the situation.
GUS VAN SANT

Jobs Reality Trying
Modern-day cinema takes the form of a sermon. You don’t get to think, you only get to receive information.
GUS VAN SANT

Cinema Information Thinking
The things that inform student culture are created and controlled by the unseen culture, the sociological aspects of our climbing culture, our ‘me’ generation, our yuppie culture, our SUVs, or, you know, shopping culture, our war culture.
GUS VAN SANT

Climbing Shopping War
It’s hard to speculate as a human about the afterlife because you’re not in it. And it’s probably as wild and wacky as you could imagine. The idea that people have figured it out, I’m not sure if I can fathom that.
GUS VAN SANT

Afterlife Idea Ideas People

And Later I Thought, I Can’t Think How Anyone Can Become a Director Without Learning the Craft of Cinematography.

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And Later I Thought, I Can’t Think How Anyone Can Become a Director Without Learning the Craft of Cinematography.

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