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Silent is about needing to make a scene shorter by having physical things to cut to. That way, you can manipulate a character to the other side of the room. But, if they say the wrong thing, it might locate that action in a particular part of the scene. It’s a mechanical need.

Gus Van Sant

When you get to be 23, 24 or 25, you start to freeze up and become an adult.
GUS VAN SANT

Adult Adults Freeze
Modern-day cinema takes the form of a sermon. You don’t get to think, you only get to receive information.
GUS VAN SANT

Cinema Information Thinking
I was once a shameless, full-time dope fiend.
GUS VAN SANT

Dope Full Shameless
Casting the locals is my primary concern because all the other things you assume will be manageable.
GUS VAN SANT

Assuming Casting Concern
In rare cases, I’ve had music before I shot the movie. I think that for ‘Good Will Hunting’ I had an Elliot Smith record or a couple of them and I just somehow felt like the sound had something to it that reminded me of the story. So in that case there was music beforehand.
GUS VAN SANT

Couple Hunting Thinking
Joanna Priestley is one of the most interesting and adept personal animators and filmmakers. I have enjoyed her work for years and been amazed at how she gets into her own thoughts onto the screen in a very elegant and focused way. You have to see this.
GUS VAN SANT

Amazed Interesting Way Years
Silent is about needing to make a scene shorter by having physical things to cut to. That way, you can manipulate a character to the other side of the room. But, if they say the wrong thing, it might locate that action in a particular part of the scene. It’s a mechanical need.
GUS VAN SANT

Character Cutting Needs
Even when you’re making a movie about life, death is a presence, and I guess it’s part of my dramatic viewpoint. I’m not sure why exactly.
GUS VAN SANT

Actors Movie Viewpoints
I used to take photographs just to remember people.
GUS VAN SANT

People Photograph Remember
I have this new theory about films. It’s almost like astrology, where if we started on a Tuesday the film will be different than if we started on a Wednesday. Not because of the planets. It’s that sometimes you start with the wrong balance and the whole thing gets messed up.
GUS VAN SANT

Astrology Balance Tuesday
Apparently there’s this kind of songbird that thinks it dies every time the sun goes down. In the morning, when it wakes up, it’s totally shocked to still be alive—so it sings this really beautiful song.
GUS VAN SANT

Beautiful Morning Song
Gay marriage is the last bastion of, to me… as a legal, ceremonial, sentimental and religious side, it’s one of the last steps. Retaining your job being one of the earlier steps, like, not getting kicked out of your job because you’re gay.
GUS VAN SANT

Gay Jobs Religious Retain
Everything’s changing so fast that it’s sometimes hard to keep up.
GUS VAN SANT

Hard Something Sometimes
I’d come into filmmaking as a painter so, for me, making ‘Good Will Hunting’ was experimental because I didn’t know how to do it.
GUS VAN SANT

Actors Hunting Movie
Sometimes getting upset with yourself is necessary when you face the truth.
GUS VAN SANT

Faces Sometimes Upset
One of the things that is devastating is I realise I haven’t been living a different life than when I was, like, 12. I’m shocked at how reclusive I’ve been since then. I was unaware of it until recently.
GUS VAN SANT

Different Haven Realising
Free time keeps me going. It’s just something that’s always been a part of my life. I was originally a painter, and I made films sort of as an extension of that, and then I started to try to make dramatic films because the early films were experimental films.
GUS VAN SANT

Dramatic Film Trying
In high school, I read ‘Silas Marner’ and I was very attracted to this character – he was very rundown and he’d just stop, and things would happen around him.
GUS VAN SANT

Character High School
When I grew up in the ’60s, we were actually dominated by this, you know, sort of conforming ’50s culture, even though we were like trying to express our own culture, like, the dominant culture was the thing that was forming us. And I think that that’s true today.
GUS VAN SANT

Culture Thinking Trying
You never look at the backside of a mirror because when you do, it’ll affect your future because you’re looking at yourself backwards. No, you’re looking at your inner self and you don’t recognize it because you’ve never seen it before.
GUS VAN SANT

Looks Mirrors Self
You’re following your track, the story, your only plan, your map for the audience, and all the other stuff is, like, the fun stuff: the costumes, the locations, the set-dressing and the actors. They can all be variable as you like if you stick – however roughly – to the path.
GUS VAN SANT

Fun Stories Track
A lot of times, you’re not necessarily off the page because you haven’t been able to take the time to prepare a character. It’s very easy to find even great actors reading it more like a reading. Things aren’t really coming alive yet, even though you know they will.
GUS VAN SANT

Actor Character Reading
If it were up to the executives, they probably wouldn’t have directors at all.
GUS VAN SANT

Directors Executives Probably
Yeah, I try to be really calm.
GUS VAN SANT

Calm Trying Yeah
I try to shoot the first rehearsal because people are more spontaneous. People in real life don’t really know where they are going to be either positioning themselves or how they will be saying their words. When people goof during the first take, it usually looks realistic.
GUS VAN SANT

People Real Trying
When you’re on a film and you’re doubting something, it’s usually because you don’t think the audience is going to like it.
GUS VAN SANT

Doubt Film Thinking
The area of teenage life is not necessarily rarefied; we’ve all gone through that period. It’s not as rarefied as a western or a space adventure or a gangster film, but it has its own dynamic.
GUS VAN SANT

Adventure Space Teenage

Silent is about needing to make a scene shorter by having physical things to cut to. That way, you can manipulate a character to the other side of the room. But, if they say the wrong thing, it might locate that action in a particular part of the scene. It’s a mechanical need.

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Silent is about needing to make a scene shorter by having physical things to cut to. That way, you can manipulate a character to the other side of the room. But, if they say the wrong thing, it might locate that action in a particular part of the scene. It’s a mechanical need.

Related Topics

Popular Authors

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