But I think we are seeing a resurgence of the graphic ghost story like The Others, Devil’s Backbone and The Sixth Sense. It is a return to more gothic atmospheric ghost storytelling.
GUILLERMO DEL TOROSomebody said to me, in a very well-meaning way, at a screening, “We love the movie but it’s too violent. If you tone down the violence you could reach a great audience of kids.”.
More Guillermo del Toro Quotes
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You can’t explain success in retrospect. The moment you leap into the void, that moment is impossible to negate, after success.
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When you shoot in America, you have huge beams of sunlight in the windows, very vivid sunlight – it’s faster in a way.
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When somebody says something I don’t agree with, I say I’d rather not. It comes to the point where that is the strongest form of resistance. As a Mexican, it took me a long while to learn one word in English, “no”. And that is the one word we have in common.
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The underground of the city is like what’s underground in people. Beneath the surface, it’s boiling with monsters.
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As a first-time director, you cannot have final cut. But as a producer, you can have final cut.
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You can always go back to not making any money, and then you get the freedom. And I’m going to continue doing it, because it really is a fantastic sense of liberation.
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I like John Carpenter. I like some of his films more than others
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You have to believe the magic to see it.
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I think making small movies reminds you of the effort. When you make big movies, the effort is to fight for freedom. When you make small movies, the effort is making the day, making the budget, and it’s great, too.
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I like actors that are good with pantomime and that can transmit a lot by their presence and attitude more than through their dialogue
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The point of being over 40 is to fulfill the desires you’ve been harboring since you were 7.
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When I stage a violent scene, I try for it to serve a purpose. I do love those things, the makeup effects. But I love them more with the monsters. I never was much of a gore guy. I’ve always enjoyed just creating monsters.
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I’m a big fan of the Harry Potter books, but I’d love to do one where one of the kids dies, or one of the main characters dies. I love for those things to have a little bit more tragedy.
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I think damage to the eye or damage to the teeth is one of the most universally cringing things you can do in a movie and these are very fragile sounds.
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I love REAL set construction and think that sets are very important part of the storytelling and scope of a film.
GUILLERMO DEL TORO







