You think if you work hard enough, you can fix the precious things you’ve broken – rather than being careful with them in the first place.
GUILLERMO DEL TOROI think making small movies reminds you of the effort. When you make big movies, the effort is to fight for freedom. When you make small movies, the effort is making the day, making the budget, and it’s great, too.
More Guillermo del Toro Quotes
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There are times when you are in despair, because in order not to betray who you are, you don’t compromise, you don’t make movies that would be very lucrative or prestigious or easily understood. And yet I stay attached to the most uncanny premises. It’s never been easy.
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I only produce movies that have something stylistically different, so that I can learn from the experience of producing.
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I think making small movies reminds you of the effort. When you make big movies, the effort is to fight for freedom. When you make small movies, the effort is making the day, making the budget, and it’s great, too.
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I would much rather see somebody bring something new to a genre than produce something that seems safe.
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The fairies in the ancient notion of fairies, they are not positive and cute and twinkly.They can be incredibly nasty or they can be incredibly benign. It’s a really interesting mythology when you dig into it.
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Power revealed is power sacrificed. The truly powerful exert their influence in ways unseen, unfelt. Some would say that a thing visible is a thing vulnerable.
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Somebody said to me, in a very well-meaning way, at a screening, “We love the movie but it’s too violent. If you tone down the violence you could reach a great audience of kids.”.
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For Devil’s Backbone I loved it but I felt very pressured but so I was neurotic on the shoot.
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I think there is a very quiet power in things that are not on screen
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I only produce directors and movies that I have a lot in common with.
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There’s nothing that defines who you are more than boundaries, whether you cross them or not, in every aspect of your life, and horror is a really great boundary.
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In real life, what scares me is politicians, corporations and people that think they know what the world should be.
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I’m a movement Nazi. It used to be my way before. Now, in the last three projects. I found a way to let the actors find their comfort and still find the precision in the show. It’s a change in me.
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You can’t explain success in retrospect. The moment you leap into the void, that moment is impossible to negate, after success.
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I see horror as part of legitimate film. I don’t see it as an independent genre that has nothing to do with cinema.
GUILLERMO DEL TORO