I think part of making movies is dealing with restrictions of freedom and budget. I’d rather deal with restrictions of budget. It’s better to feel free within any budget.
GUILLERMO DEL TOROYou can’t explain success in retrospect. The moment you leap into the void, that moment is impossible to negate, after success.
More Guillermo del Toro Quotes
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People think you’re like The Godfather, waiting for scripts to come in. But, you’re hustling, you’re desperate, you’re panicked and you’re horrified. The movie you think you’re going to do next, you don’t do. The movie you think you’re never going to do, you make.
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I only produce movies that have something stylistically different, so that I can learn from the experience of producing.
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When I stage a violent scene, I try for it to serve a purpose. I do love those things, the makeup effects. But I love them more with the monsters. I never was much of a gore guy. I’ve always enjoyed just creating monsters.
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I really wanted the house to be a character. And I knew, I said, I’ll produce that one, but if I direct it, I need to build a house.
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I like actors that are good with pantomime and that can transmit a lot by their presence and attitude more than through their dialogue
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I see horror as part of legitimate film. I don’t see it as an independent genre that has nothing to do with cinema.
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When you shoot in America, you have huge beams of sunlight in the windows, very vivid sunlight – it’s faster in a way.
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I am the nice adversary, the guy that’s going to ask the tough questions and is not going to be happy with the quick answer.
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I thought the tooth fairy was a very creepy concept as a kid. “Put your tooth under the pillow.” I was like “Why does someone want my teeth?”.
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For me, lost causes are the only ones that are worth fighting for. The other stuff is not worth fighting for.
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The fairies in the ancient notion of fairies, they are not positive and cute and twinkly.They can be incredibly nasty or they can be incredibly benign. It’s a really interesting mythology when you dig into it.
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I think once a Catholic, always a Catholic. You never escape. I still have Catholic guilt. It is in its basis a really powerful religion and a really strong set of beliefs. They permeate my work in many ways.
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What happens to me is that I am first and foremost a film geek.
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There are a lot of period movies where they say, ‘This is a portrait of Lady Whatever.’ And it’s done in like a 1950s or 60s style.
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I think making small movies reminds you of the effort. When you make big movies, the effort is to fight for freedom. When you make small movies, the effort is making the day, making the budget, and it’s great, too.
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