When you shoot in America, you have huge beams of sunlight in the windows, very vivid sunlight – it’s faster in a way.
GUILLERMO DEL TOROI only produce movies that have something stylistically different, so that I can learn from the experience of producing.
More Guillermo del Toro Quotes
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The point of being over 40 is to fulfill the desires you’ve been harboring since you were 7.
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There’s nothing that defines who you are more than boundaries, whether you cross them or not, in every aspect of your life, and horror is a really great boundary.
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The underground of the city is like what’s underground in people. Beneath the surface, it’s boiling with monsters.
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Somebody said to me, in a very well-meaning way, at a screening, “We love the movie but it’s too violent. If you tone down the violence you could reach a great audience of kids.”.
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The fairies in the ancient notion of fairies, they are not positive and cute and twinkly.They can be incredibly nasty or they can be incredibly benign. It’s a really interesting mythology when you dig into it.
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We’re in three living groups, ’cause even after the world’s ended some assholes still can’t get along.
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I really wanted the house to be a character. And I knew, I said, I’ll produce that one, but if I direct it, I need to build a house.
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Power revealed is power sacrificed. The truly powerful exert their influence in ways unseen, unfelt. Some would say that a thing visible is a thing vulnerable.
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I think damage to the eye or damage to the teeth is one of the most universally cringing things you can do in a movie and these are very fragile sounds.
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You have to believe the magic to see it.
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In real life, what scares me is politicians, corporations and people that think they know what the world should be.
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I think part of making movies is dealing with restrictions of freedom and budget. I’d rather deal with restrictions of budget. It’s better to feel free within any budget.
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When somebody says something I don’t agree with, I say I’d rather not. It comes to the point where that is the strongest form of resistance. As a Mexican, it took me a long while to learn one word in English, “no”. And that is the one word we have in common.
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I see horror as part of legitimate film. I don’t see it as an independent genre that has nothing to do with cinema.
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Ghosts are a metaphor that can be interpreted so many different ways. There’s no ending to what you can do. You can make it a fun ghost story. You can make it a deeply disturbing, psychological ghost story.
GUILLERMO DEL TORO