For Devil’s Backbone I loved it but I felt very pressured but so I was neurotic on the shoot.
GUILLERMO DEL TOROI only produce movies that have something stylistically different, so that I can learn from the experience of producing.
More Guillermo del Toro Quotes
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What happens to me is that I am first and foremost a film geek.
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There are two levels of vampirism: one is the regular vampire, which is just like it has always been; and then there’s the super vampires, which are a new breed we’ve created.
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There are a lot of period movies where they say, ‘This is a portrait of Lady Whatever.’ And it’s done in like a 1950s or 60s style.
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You can always go back to not making any money, and then you get the freedom. And I’m going to continue doing it, because it really is a fantastic sense of liberation.
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I think damage to the eye or damage to the teeth is one of the most universally cringing things you can do in a movie and these are very fragile sounds.
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There’s nothing that defines who you are more than boundaries, whether you cross them or not, in every aspect of your life, and horror is a really great boundary.
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Your heart is uncomplicated. It knows what it knows and acts accordingly. Greater wisdom is hard to find.
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In real life, what scares me is politicians, corporations and people that think they know what the world should be.
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I think there is a very quiet power in things that are not on screen
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If you don’t take it personally, the partnership between producers and directors is very intimate.
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Genius is the true mystery, and at its edge–the abyss.
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When I stage a violent scene, I try for it to serve a purpose. I do love those things, the makeup effects. But I love them more with the monsters. I never was much of a gore guy. I’ve always enjoyed just creating monsters.
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I think once a Catholic, always a Catholic. You never escape. I still have Catholic guilt. It is in its basis a really powerful religion and a really strong set of beliefs. They permeate my work in many ways.
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I love REAL set construction and think that sets are very important part of the storytelling and scope of a film.
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When you shoot in America, you have huge beams of sunlight in the windows, very vivid sunlight – it’s faster in a way.
GUILLERMO DEL TORO