I only produce directors and movies that I have a lot in common with.
GUILLERMO DEL TOROWhat we read and why we do so defines us in a profound way. You are what you read, I suppose. Browsing through someone’s library is like peeking into their DNA.
More Guillermo del Toro Quotes
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Genius is the true mystery, and at its edge–the abyss.
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…there’s something about maternal love – it might just be the strongest human spiritual bond there is.
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There are times when you are in despair, because in order not to betray who you are, you don’t compromise, you don’t make movies that would be very lucrative or prestigious or easily understood. And yet I stay attached to the most uncanny premises. It’s never been easy.
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If you don’t take it personally, the partnership between producers and directors is very intimate.
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I think once a Catholic, always a Catholic. You never escape. I still have Catholic guilt. It is in its basis a really powerful religion and a really strong set of beliefs. They permeate my work in many ways.
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I thought the tooth fairy was a very creepy concept as a kid. “Put your tooth under the pillow.” I was like “Why does someone want my teeth?”.
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When you shoot in America, you have huge beams of sunlight in the windows, very vivid sunlight – it’s faster in a way.
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For me, lost causes are the only ones that are worth fighting for. The other stuff is not worth fighting for.
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I think when the joke comes from the situation in a horror film, it’s really great. I don’t like jokey horror films like where people are cracking a joke or being post-modern about it.
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The underground of the city is like what’s underground in people. Beneath the surface, it’s boiling with monsters.
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What we read and why we do so defines us in a profound way. You are what you read, I suppose. Browsing through someone’s library is like peeking into their DNA.
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Its a bit cloudy in London but people are already drinking out on the streets- God Bless the pubs.
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I love REAL set construction and think that sets are very important part of the storytelling and scope of a film.
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I’m a movement Nazi. It used to be my way before. Now, in the last three projects. I found a way to let the actors find their comfort and still find the precision in the show. It’s a change in me.
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For Devil’s Backbone I loved it but I felt very pressured but so I was neurotic on the shoot.
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