Its a bit cloudy in London but people are already drinking out on the streets- God Bless the pubs.
GUILLERMO DEL TOROWhat we read and why we do so defines us in a profound way. You are what you read, I suppose. Browsing through someone’s library is like peeking into their DNA.
More Guillermo del Toro Quotes
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There is beautiful in the grotesque.
GUILLERMO DEL TORO -
When somebody says something I don’t agree with, I say I’d rather not. It comes to the point where that is the strongest form of resistance. As a Mexican, it took me a long while to learn one word in English, “no”. And that is the one word we have in common.
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I think damage to the eye or damage to the teeth is one of the most universally cringing things you can do in a movie and these are very fragile sounds.
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You can’t explain success in retrospect. The moment you leap into the void, that moment is impossible to negate, after success.
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The underground of the city is like what’s underground in people. Beneath the surface, it’s boiling with monsters.
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There are a lot of period movies where they say, ‘This is a portrait of Lady Whatever.’ And it’s done in like a 1950s or 60s style.
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I like actors that are good with pantomime and that can transmit a lot by their presence and attitude more than through their dialogue
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I would much rather see somebody bring something new to a genre than produce something that seems safe.
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…there’s something about maternal love – it might just be the strongest human spiritual bond there is.
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If you don’t take it personally, the partnership between producers and directors is very intimate.
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I only produce movies that have something stylistically different, so that I can learn from the experience of producing.
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For me, lost causes are the only ones that are worth fighting for. The other stuff is not worth fighting for.
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What happens to me is that I am first and foremost a film geek.
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There are two levels of vampirism: one is the regular vampire, which is just like it has always been; and then there’s the super vampires, which are a new breed we’ve created.
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If you’re doing a big spectacle film, you’ve got to be mindful of large masses. Even then, you’ve got to be responsible only to your storytelling.
GUILLERMO DEL TORO