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I’m a movement Nazi. It used to be my way before. Now, in the last three projects. I found a way to let the actors find their comfort and still find the precision in the show. It’s a change in me.

Guillermo del Toro

There’s nothing that defines who you are more than boundaries, whether you cross them or not, in every aspect of your life, and horror is a really great boundary.
GUILLERMO DEL TORO

Boundaries Crosses Horror
Movies that look safe are less interesting.
GUILLERMO DEL TORO

Interesting Looks Safe
You can always go back to not making any money, and then you get the freedom. And I’m going to continue doing it, because it really is a fantastic sense of liberation.
GUILLERMO DEL TORO

Continue Fantastic Liberation Money
I only produce directors and movies that I have a lot in common with.
GUILLERMO DEL TORO

Common Directors Produce
There are times when you are in despair, because in order not to betray who you are, you don’t compromise, you don’t make movies that would be very lucrative or prestigious or easily understood. And yet I stay attached to the most uncanny premises. It’s never been easy.
GUILLERMO DEL TORO

Compromise Despair Easy
I think damage to the eye or damage to the teeth is one of the most universally cringing things you can do in a movie and these are very fragile sounds.
GUILLERMO DEL TORO

Eye Sound Thinking
The point of being over 40 is to fulfill the desires you’ve been harboring since you were 7.
GUILLERMO DEL TORO

Desire Harboring Since Being
When somebody says something I don’t agree with, I say I’d rather not. It comes to the point where that is the strongest form of resistance. As a Mexican, it took me a long while to learn one word in English, “no”. And that is the one word we have in common.
GUILLERMO DEL TORO

Common Country Long People
There are a lot of period movies where they say, ‘This is a portrait of Lady Whatever.’ And it’s done in like a 1950s or 60s style.
GUILLERMO DEL TORO

Done Portraits Style
…there’s something about maternal love – it might just be the strongest human spiritual bond there is.
GUILLERMO DEL TORO

Love Maternal might Spiritual
If you don’t take it personally, the partnership between producers and directors is very intimate.
GUILLERMO DEL TORO

Directors Intimate Partnership
I really wanted the house to be a character. And I knew, I said, I’ll produce that one, but if I direct it, I need to build a house.
GUILLERMO DEL TORO

Character House Needs
For Devil’s Backbone I loved it but I felt very pressured but so I was neurotic on the shoot.
GUILLERMO DEL TORO

Backbone Devil Neurotic
When I stage a violent scene, I try for it to serve a purpose. I do love those things, the makeup effects. But I love them more with the monsters. I never was much of a gore guy. I’ve always enjoyed just creating monsters.
GUILLERMO DEL TORO

Guy Makeup Trying
I’m the freaky version of that superhero who says, wherever there is injustice, I shall be there. Whenever there is a difficult project, I’d like to be there.
GUILLERMO DEL TORO

Injustice Projects Superhero
There is beautiful in the grotesque.
GUILLERMO DEL TORO

Beautiful Grotesque Happen

I’m a movement Nazi. It used to be my way before. Now, in the last three projects. I found a way to let the actors find their comfort and still find the precision in the show. It’s a change in me.

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Popular Authors

I’m a movement Nazi. It used to be my way before. Now, in the last three projects. I found a way to let the actors find their comfort and still find the precision in the show. It’s a change in me.

Related Topics

Popular Authors

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