When I stage a violent scene, I try for it to serve a purpose. I do love those things, the makeup effects. But I love them more with the monsters. I never was much of a gore guy. I’ve always enjoyed just creating monsters.
GUILLERMO DEL TOROThere are two levels of vampirism: one is the regular vampire, which is just like it has always been; and then there’s the super vampires, which are a new breed we’ve created.
More Guillermo del Toro Quotes
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I had gotten to the point where I just didn’t want to perform anymore – I didn’t want to be on the chopping block anymore. I started to want to withdraw and retreat from it.
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The underground of the city is like what’s underground in people. Beneath the surface, it’s boiling with monsters.
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I’m a movement Nazi. It used to be my way before. Now, in the last three projects. I found a way to let the actors find their comfort and still find the precision in the show. It’s a change in me.
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I think once a Catholic, always a Catholic. You never escape. I still have Catholic guilt. It is in its basis a really powerful religion and a really strong set of beliefs. They permeate my work in many ways.
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Somebody said to me, in a very well-meaning way, at a screening, “We love the movie but it’s too violent. If you tone down the violence you could reach a great audience of kids.”.
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Movies that look safe are less interesting.
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For Devil’s Backbone I loved it but I felt very pressured but so I was neurotic on the shoot.
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Genius is the true mystery, and at its edge–the abyss.
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The fairies in the ancient notion of fairies, they are not positive and cute and twinkly.They can be incredibly nasty or they can be incredibly benign. It’s a really interesting mythology when you dig into it.
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Its a bit cloudy in London but people are already drinking out on the streets- God Bless the pubs.
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I am the nice adversary, the guy that’s going to ask the tough questions and is not going to be happy with the quick answer.
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There are times when you are in despair, because in order not to betray who you are, you don’t compromise, you don’t make movies that would be very lucrative or prestigious or easily understood. And yet I stay attached to the most uncanny premises. It’s never been easy.
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The point of being over 40 is to fulfill the desires you’ve been harboring since you were 7.
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I only produce movies that have something stylistically different, so that I can learn from the experience of producing.
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I think making small movies reminds you of the effort. When you make big movies, the effort is to fight for freedom. When you make small movies, the effort is making the day, making the budget, and it’s great, too.
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