I think damage to the eye or damage to the teeth is one of the most universally cringing things you can do in a movie and these are very fragile sounds.
GUILLERMO DEL TOROThere are two levels of vampirism: one is the regular vampire, which is just like it has always been; and then there’s the super vampires, which are a new breed we’ve created.
More Guillermo del Toro Quotes
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People think you’re like The Godfather, waiting for scripts to come in. But, you’re hustling, you’re desperate, you’re panicked and you’re horrified. The movie you think you’re going to do next, you don’t do. The movie you think you’re never going to do, you make.
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I’m a movement Nazi. It used to be my way before. Now, in the last three projects. I found a way to let the actors find their comfort and still find the precision in the show. It’s a change in me.
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You think if you work hard enough, you can fix the precious things you’ve broken – rather than being careful with them in the first place.
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The underground of the city is like what’s underground in people. Beneath the surface, it’s boiling with monsters.
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The fairies in the ancient notion of fairies, they are not positive and cute and twinkly.They can be incredibly nasty or they can be incredibly benign. It’s a really interesting mythology when you dig into it.
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I am the nice adversary, the guy that’s going to ask the tough questions and is not going to be happy with the quick answer.
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I love REAL set construction and think that sets are very important part of the storytelling and scope of a film.
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We’re in three living groups, ’cause even after the world’s ended some assholes still can’t get along.
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Genius is the true mystery, and at its edge–the abyss.
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There are times when you are in despair, because in order not to betray who you are, you don’t compromise, you don’t make movies that would be very lucrative or prestigious or easily understood. And yet I stay attached to the most uncanny premises. It’s never been easy.
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I think making small movies reminds you of the effort. When you make big movies, the effort is to fight for freedom. When you make small movies, the effort is making the day, making the budget, and it’s great, too.
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In real life, what scares me is politicians, corporations and people that think they know what the world should be.
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But I think we are seeing a resurgence of the graphic ghost story like The Others, Devil’s Backbone and The Sixth Sense. It is a return to more gothic atmospheric ghost storytelling.
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You can’t explain success in retrospect. The moment you leap into the void, that moment is impossible to negate, after success.
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If you don’t take it personally, the partnership between producers and directors is very intimate.
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