Sometimes you find people who are magnetic, but once they get in front of a camera, they freak out and get weird.
GRIMESThe most valuable live thing for me is when people look like they’re having a good time.
More Grimes Quotes
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I approach music – and this sounds crazy – as though I’m Phil Spector, and I’m cranking out these pop stars and forcing them to do all this stuff – except they’re all me. But I’m not, like, transgendered.
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When an artist, or whomever, moves from their scene to the bigger pond, it starts getting crazy, because all of a sudden people don’t respect you, and you have to start being a lot more aggressive than you would normally be.
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The most valuable live thing for me is when people look like they’re having a good time.
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I like performing, but I usually get really sick when I’m on tour, and it’s just hard.
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I find it really hard to throw myself into something artistically where I’m making up a whole character and finding something for that character to do.
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Success, for me, is a song that can deliver shivers.
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I definitely see the voice as an instrument: It makes great drums, great synth pads, great everything.
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I get offers to do huge-budget music videos with big production companies all the time, but I have no interest.
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Just because something might not have a deep philosophical meaning doesn’t mean it’s not important or relevant.
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It’s important for people not to feel like doing things that are immature, stuff you have to try out when you’re a teenager, is bad, per se. Demonizing it is one of the reasons it becomes such an issue.
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My manager lives on my block; four of the apartments in my apartment complex of seven are people I know. It’s a really close-knit community, and almost everyone on these few blocks are artists or graphic designers, because we live right on the cusp of a warehouse district.
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I always wanted to be really experimental.
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Especially with music, people want confidence.
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I’m just very obsessed with Japanese stuff in general.
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I think Canadians make a lot of music because we’re stuck inside all the time.
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I’m tired of being congratulated for being thin because I can more easily fit into sample sizes from the runway.
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Most of my music videos were made for under $200.
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In America there’s lot of cool cities, but in Canada there’s, like, well, Vancouver, Toronto and Halifax may be cool, but they’re so expensive. Montreal is the only city that’s affordable but also has buses and culture.
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If painters could be compared to filmmakers, Bosch is the Hype Williams of renaissance painters. With Bosch, there’s always a narrative that is very nonlinear – and that’s the essence of a good music video.
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I like going crazy. And not just for art – I like extremes in general.
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I think a lot of music that’s really innovative is not even considered because it was made by people who had a sexual image. And people assume that it’s a commodified thing, so it can’t be “indie.”
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Basically, I’m really impressionable and have no sense of consistency in anything I do.
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I love a lot of very sentimental music, but I shouldn’t necessarily be the person who makes it.
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Lately I’ve been really into screaming a lot through delay [effects], having seven people on stage topless going crazy, stuff like that. Really in your face, but maybe more organic than choreographed dance moves.
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From an early age I knew I would be unhappy if I wasn’t doing something creative.
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Obviously, I like things that are cute and aggressive at the same time, but I didn’t want it to just be mini-bangs and lip-syncing in a dress. I need to get away from that stuff.
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