Lately I’ve been really into screaming a lot through delay [effects], having seven people on stage topless going crazy, stuff like that. Really in your face, but maybe more organic than choreographed dance moves.
If I think about what other people are thinking when I’m making music, I just can’t do it. It’s too withheld – I need to go totally over the top, and then kind of clean it up a bit and make it more reasonable after the fact.
In America there’s lot of cool cities, but in Canada there’s, like, well, Vancouver, Toronto and Halifax may be cool, but they’re so expensive. Montreal is the only city that’s affordable but also has buses and culture.
If painters could be compared to filmmakers, Bosch is the Hype Williams of renaissance painters. With Bosch, there’s always a narrative that is very nonlinear – and that’s the essence of a good music video.
I approach music – and this sounds crazy – as though I’m Phil Spector, and I’m cranking out these pop stars and forcing them to do all this stuff – except they’re all me. But I’m not, like, transgendered.
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