I’m not as impatient as I used to be. I used to hit people if I didn’t like what they were saying. Just lash out. ‘Bam – shut up! Hahahah!’ I was terrible.
I like working until the morning, so I can see the day and then I like to go to sleep and then get up before sunset. But I love the energy of the morning.
It doesn’t surprise me that people can’t see beyond my image. It’s amazing, but I can understand it. That’s what image is for. But it’s never a problem for me. It’s only a problem for them. I don’t really care. I do what I want regardless.
Most performers take themselves too seriously. They forget there is a difference between the characters they play on the screen or stage and themselves, but the public doesn’t forget there is a difference. They see how silly it is if you try to be the same person all the time.
When I was modelling, I spent half my life staring at thousands of perfect reflections. It got to a stage where I was losing all sense of reality – so after I quit modelling, I took all the mirrors out of my house.
If people think I’m angry, I don’t want to burst anybody’s bubble. I like sometimes for people to be afraid of me. But it’s not really anger; it’s discipline.
I didn’t think I had a voice at all, and I still think of myself as an interpreter of songs more than a singer. I thought it was too deep; people thought I was a man. I had a very strong Jamaican accent, too; the accent really messed me up for auditions.
Disco was like the celebration of music through dance and my God! When you heard the music sometimes it was like, if you don’t get up and dance, you aren’t human!
