In order for music to free itself, it will have to pass over to the other side – there where territories tremble, where the structures collapse, where the ethoses get mixed up, where a powerful song of the earth is unleashed, the great ritornelles that transmutes all the airs it carries away and makes return.
GILLES DELEUZEThere’s no need to fear or hope, but only to look for new weapons.
More Gilles Deleuze Quotes
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belief is necessarily something false that diverts and suffocates effective production.
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It is not the slumber of reason that engenders monsters, but vigilant and insomniac rationality
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What interests us in operations of striation and smoothing are precisely the passages or combinations: how the forces at work within space continually striate it, and how in the course of its striation it develops other forces and emits new smooth spaces.
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Far from being a psychological trait, the spirit of revenge is the principle on which our whole psychology depends.
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Forming grammatically correct sentences is for the normal individual the prerequisite for any submission to social laws. No one is supposed to be ignorant of grammaticality; those who are belong in special institutions. The unity of language is fundamentally political.
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Every time someone puts an objection to me, I want to say: ‘OK, OK, let’s go on to something else.’ Objections have never contributed anything.
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I believe strongly that philosophy has nothing to do with specialists.
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An image of thought called philosophy has been formed historically and it effectively stops people from thinking.
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Underneath all reason lies delirium and drift.
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Nietzsche’s break with Schopenhauer rests on precisely this point; it is a matter of knowing whether the will is unitary or multiple.
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The shadow escapes from the body like an animal we had been sheltering.
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The fundamental problem of political philosophy is still precisely the one that Spinoza saw so clearly (and that Wilhelm Reich rediscovered): Why do men fight for their servitude as stubbornly as though it were their salvation?
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One of the principal motifs of Nietzsche’s work is that Kant had not carried out a true critique because he was not able to pose the problem of critique in terms of values.
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The aim of critique is not the ends of man or of reason but in the end the Overman, the overcome, overtaken man. The point of critique is not justification but a different way of feeling: another sensibility.
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According to Beckett’s or Kafka’s law, there is immobility beyond movement: beyond standing up, there is sitting down, and beyond sitting down, lying down, beyond which one finally dissipates.
GILLES DELEUZE