It’s not easy to see things from the middle, rather than looking down on them from above or up at them from below, or from left to right or right to left: try it, you’ll see that everything changes.
GILLES DELEUZENietzsche’s break with Schopenhauer rests on precisely this point; it is a matter of knowing whether the will is unitary or multiple.
More Gilles Deleuze Quotes
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The shadow escapes from the body like an animal we had been sheltering.
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Underneath all reason lies delirium and drift.
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The philosopher creates, he doesn’t reflect.
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Art is not communicative, art is not reflexive. Art, science, philosophy are neither contemplative, neither reflexive, nor communicative. They are creative, that’s all.
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Can you harness the power of drugs without them taking over, without turning into a dazed zombie?
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Philosophy is not in a state of external reflection on other domains, but in a state of active and internal alliance with them, and it is neither more abstract nor more difficult.
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Intuition is neither a feeling, an inspiration nor a disorderly sympathy but a fully developed method.
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belief is necessarily something false that diverts and suffocates effective production.
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Why do men fight for their servitude as stubbornly as though it were their salvation?
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Let us create extraordinary words, on condition that they be put to the most ordinary use and that the entity they designate be made to exist in the same way as the most common object.
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A creator is someone who creates their own impossibilities, and thereby creates possibilities.
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As for being responsible or irresponsible, we don’t recognize those notions, they’re for policemen and courtroom psychiatrists.
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Only thought is capable of inventing the fiction of a State that is universal by right, of elevation the State to the level of de jure universality
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Images exist; things themselves are images… Images constantly act on and react to one another, produce and consume. There is no difference between images, things and movement.
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What interests us in operations of striation and smoothing are precisely the passages or combinations: how the forces at work within space continually striate it, and how in the course of its striation it develops other forces and emits new smooth spaces.
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