I had to create an equivalent for what I felt about what I was looking at – not copy it.
GEORGIA O'KEEFFEAnyone who doesn’t feel the crosses simply doesn’t get that country.
More Georgia O'Keeffe Quotes
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I have things in my head that are not like what anyone has taught me – shapes and ideas so near to me – so natural to my way of being and thinking that it hasn’t occurred to me to put them down.
GEORGIA O'KEEFFE -
I decided that if I could paint that flower in a huge scale, you could not ignore its beauty.
GEORGIA O'KEEFFE -
The days you work are the best days.
GEORGIA O'KEEFFE -
I often lay on that bench looking up into the tree, past the trunk and up into the branches. It was particularly fine at night with the stars above the tree.
GEORGIA O'KEEFFE -
Anyone who doesn’t feel the crosses simply doesn’t get that country.
GEORGIA O'KEEFFE -
I know now that most people are so closely concerned with themselves that they are not aware of their own individuality, I can see myself, and it has helped me to say what I want to say in paint.
GEORGIA O'KEEFFE -
One can’t paint New York as it is, but rather as it is felt.
GEORGIA O'KEEFFE -
I feel there is something unexplored about woman that only a woman can explore.
GEORGIA O'KEEFFE -
Singing has always seemed to me the most perfect means of expression. It is so spontaneous. And after singing, I think the violin. Since I cannot sing, I paint.
GEORGIA O'KEEFFE -
I decided to start anew, to strip away what I had been taught.
GEORGIA O'KEEFFE -
It was all so far away – there was quiet and an untouched feel to the country and I could work as I pleased.
GEORGIA O'KEEFFE -
I want to give that world to someone else. Most people in the city rush around so, they have no time to look at a flower. I want them to see it whether they want to or not.
GEORGIA O'KEEFFE -
One can not be an American by going about saying that one is an American. It is necessary to feel America, like America, love America and then work.
GEORGIA O'KEEFFE -
Marks on paper are free – free speech – press – pictures all go together I suppose.
GEORGIA O'KEEFFE -
It was in the 1920s, when nobody had time to reflect, that I saw a still-life painting with a flower that was perfectly exquisite, but so small you really could not appreciate it.
GEORGIA O'KEEFFE