My heart goes out to him. Sort of. Because empathy depends on how you’ve spent your day.
GEORGE SAUNDERSTwitter is a deliberate abstention. Somehow I hate the idea of there always being, in the back of my mind, this little voice saying: ‘Oh, I should tweet about this.’
More George Saunders Quotes
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Your first responsibility is to yourself and to your own goodness of heart.
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I do find the values in A Christmas Carol significant. It is important not to be mean and stingy and not to give up love for money.
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Whole idea is really intriguing to me. If you took snapshots of ourselves throughout the day, the way that our mind is twisting and turning, then at the moment of death, the mind would be twisting and turning in the same way. But the Buddhists say it’s super-sized because there’s no bodily damper on it.
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I have finally realized that, you know, it’s not a given that my lifespan will accommodate my writing aspirations.
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In the absolute sense – kind of from the God’s-eye view – God might feel like, “I made this thing that has all of that in it, all the horror and all the beauty.”
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There comes that phase in life when, tired of losing, you decide to stop losing, then continue losing. Then you decide to really stop losing, and continue losing. The losing goes on and on so long you begin to watch with curiosity, wondering how low you can go.
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The artist’s job, I think, is to be a conduit for mystery. To intuit it, and recognize that the story-germ has some inherent mystery in it, and sort of midwife that mystery into the story in such a way that it isn’t damaged in the process, and may even get heightened or refined.
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The one thing about A Christmas Carol that always bothers me is that Cratchit is so sweet and perfect. He’s like an Ivy League kid who just is labeled “poor.” He doesn’t have any bad habits. He’s never cranky with his kids.
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There’s this de facto assumption that for something to have value, it has to be economically self-supporting – which imposes a very low ceiling on a culture.
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…smile first, then speak.
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I think kindness is a sort of gateway virtue – having that simple aspiration can get you into deep water very quickly – in a good way.
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I don’t feel like I have the intelligence to really inhabit a consistently high level of prose.
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I’ve seen time and time again the way that the process of trying to say something dignifies and improves a person.
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Positive human action is not only possible, but pervasive; human beings can improve and choose light and so on. And this is all happening.
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I tend to foster drama via bleakness. If I want the reader to feel sympathy for a character, I cleave the character in half, on his birthday. And then it starts raining. And he’s made of sugar.
GEORGE SAUNDERS