When I was a kid, I took ‘The Brady Bunch’ and ‘The Partridge Family’ very seriously. It was a world to me in the same way that the Greek myths would have been had I read them. You know, Marcia is Athena and Mr. Brady is Zeus.
GEORGE SAUNDERSI always cheerfully say, “Well, you know, the species is adapting, and whatever it needs to do, it’ll do,” but I do think it’s maybe a little bit alarming.
More George Saunders Quotes
-
-
I find that the great artists I’ve met are people who are so playfully invested in their process that, even if it doesn’t come out the way they like, they still power through and even take energy from it.
GEORGE SAUNDERS -
That’s the only way that I can figure out how to live, is to say, “Well, I don’t know what this adds up to, but I can do the best I can.”
GEORGE SAUNDERS -
Early on, a story’s meaning and rationale seem pretty obvious, but then, as I write it, I realize that I know the meaning/rationale too well, which means that the reader will also know it – and so things have to be ramped up.
GEORGE SAUNDERS -
I know what it feels like to be in that middle and lower-middle class, and feel like the culture is passing you by; it translates into a great sense of personal frustration that can then morph into political frustration.
GEORGE SAUNDERS -
When I think about what fiction does morally, I’m happier thinking of a person full of multiplicities – sort of fragmented.
GEORGE SAUNDERS -
You can say you’re a liberal and everybody laughs and it’s a good time.
GEORGE SAUNDERS -
I’m getting anxious, I’m getting more manic. Now, I’m an extreme case because I’m old and I’m overdoing it. But still, it’s really interesting that I can actually feel a change in my neurochemistry from this interaction with the technology.
GEORGE SAUNDERS -
Positive human action is not only possible, but pervasive; human beings can improve and choose light and so on. And this is all happening.
GEORGE SAUNDERS -
Humor is what happens when we’re told the truth quicker and more directly than we’re used to.
GEORGE SAUNDERS -
[Writing] is almost like those boats that sit really low in the water; they look kind of ugly. And then you get one of them up to 80 miles an hour and the hull comes up, and it’s a beautiful thing. I’m okay with that for myself.
GEORGE SAUNDERS -
I’ve seen time and time again the way that the process of trying to say something dignifies and improves a person.
GEORGE SAUNDERS -
He was a father. That’s what a father does.Eases the burdens of those he loves. Saves the ones he loves from painful last images that might endure for a lifetime.
GEORGE SAUNDERS -
When we talk about adversity, this is the moment when character really gets tested. When things aren’t going the way you want and you can’t see anyway that they’re going to go the way you want. That’s kind of when those old virtues really become valuable and vulnerable also.
GEORGE SAUNDERS -
Monologue is the most honest way to represent human beings.
GEORGE SAUNDERS -
Art is not some inessential frippery – it is the nation’s means of intelligently regarding itself. To cripple or stigmatize the arts is to doom one’s nation to a life of incuriosity, dullness, literalness and the worst kind of rank materialism.
GEORGE SAUNDERS -
In the absolute sense – kind of from the God’s-eye view – God might feel like, “I made this thing that has all of that in it, all the horror and all the beauty.”
GEORGE SAUNDERS -
Whatever you love, that will be an influence. It just will. So in effect the young writer’s job is: go out and find some stuff to love.
GEORGE SAUNDERS -
I heard Zen teacher one time talking about abortion, and he was saying the way that abortion makes bad karma is any time the person involved pretends that there’s not a cost to the choice.
GEORGE SAUNDERS -
When I wrote that [Donald] Trump piece, I had this uncomfortable experience of sensing a lot of things that were nascent, that I couldn’t quite articulate. And one of them was this move toward anti-intellectualism. An anti-love move, even.
GEORGE SAUNDERS -
I would kind of, you know, go stand next to some unlucky guy and say eventually, Hi, I’m George. You know, I’m with The New Yorker. I’m a liberal. I’m somewhat left of Gandhi. Do you want to talk? And, you know, they always did.
GEORGE SAUNDERS -
I read Rand and thought, “I want to be one of the earth movers, the scientific people who power the world. I don’t want to be one of these lisping liberal artsy leeches.” So I was working against my actual abilities.
GEORGE SAUNDERS -
An artist’s job is to be interested in things as they are.
GEORGE SAUNDERS -
I think something that I can’t name about our media has made us move away from that kind of specificity and that kind of curiosity.
GEORGE SAUNDERS -
I think people have come to expect that in artistic representation; that every work of art should be a work of extravagant hope.
GEORGE SAUNDERS -
I always describe writing a story as throwing bowling pins in the air and then catching them.
GEORGE SAUNDERS -
So, good news/bad news: good news that I’m progressing; bad news that life is short and art is long.
GEORGE SAUNDERS