With nonfiction, I go in trying to be really honest about what my preconceptions are.
GEORGE SAUNDERSWhat’s really baffling to me is the way that the technology has risen up to help us become more materialistic.
More George Saunders Quotes
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In the absolute sense – kind of from the God’s-eye view – God might feel like, “I made this thing that has all of that in it, all the horror and all the beauty.”
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I’ve always wanted to write energetic, atypical sentences, i.e., sentences that were not normal or bland.
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Fiction is open to whoever comes in the door, as long as you come in energetically.
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I think about how I conceptualize the audience. The trick is that they’ve got to be smarter and more worldly than me. So as I’m revising, I’m keeping that in mind. I cannot condescend, even a little bit. Every single choice that I make is motivated by that.
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Suddenly absurdism wasn’t an intellectual abstraction, it was actually realism. You could see the way that wealth was begetting wealth, wealth was begetting comfort – and that the cumulative effect of an absence of wealth was the erosion of grace.
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Whole idea is really intriguing to me. If you took snapshots of ourselves throughout the day, the way that our mind is twisting and turning, then at the moment of death, the mind would be twisting and turning in the same way. But the Buddhists say it’s super-sized because there’s no bodily damper on it.
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I think that fiction has a part to play in urging us, as a species, toward compassion.
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The idea is that what an artist lives through should broaden his notion of what it is possible for a human being to live through, and that new understanding should then get into and expand the work.
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Based on the experience of my life, which I have not exactly hit out of the park, I tend to agree with that thing about, If it’s not broke, don’t fix it. And would go even further to: Even if it is broke, leave it alone, you’ll probably make it worse.
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Life is short, very short, and what are we doing here if not trying to become more generous and loving?
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There comes that phase in life when, tired of losing, you decide to stop losing, then continue losing. Then you decide to really stop losing, and continue losing. The losing goes on and on so long you begin to watch with curiosity, wondering how low you can go.
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I’m fascinated with actors, and I’ve never quite understood the process.
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So, good news/bad news: good news that I’m progressing; bad news that life is short and art is long.
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I see that being looked at askance as a form of elitism now, which is really scary.
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When I think about what fiction does morally, I’m happier thinking of a person full of multiplicities – sort of fragmented.
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