The metaphor is – an origin, the origin of an image which acts directly, immediately.
GASTON BACHELARDThe metaphor is – an origin, the origin of an image which acts directly, immediately.
GASTON BACHELARDChildhood knows unhappiness through men. In solitude, it can relax its aches. When the human world leaves him in peace, the child feels like the son of the cosmos.
GASTON BACHELARDWhen the image is new, the world is new.
GASTON BACHELARDDaydream transports the dreamer outside the immediate world to a world that bears the mark of infinity.
GASTON BACHELARDWe are never real historians, but always near poets, and our emotion is perhaps nothing but an expression of a poetry that was lost.
GASTON BACHELARDThrough imagination, thanks to the subtleties of the irreality function, we re-enter the world of confidence, the world of the confident being, which is the proper world for reverie.
GASTON BACHELARDFor a knowledge of intimacy, localization in the spaces of our intimacy is more urgent than determination of dates.
GASTON BACHELARDMan is a creation of desire, not a creation of need.
GASTON BACHELARDThe words of the world want to make sentences.
GASTON BACHELARDWe comfort ourselves by reliving memories of protection.
GASTON BACHELARDWe understand nature by resisting it.
GASTON BACHELARDEmpirical description involves enslavement to the object by decreeing passivity on the part of the subject.
GASTON BACHELARDOne must always maintain one’s connection to the past and yet ceaselessly pull away from it.
GASTON BACHELARDMan is an imagining being.
GASTON BACHELARDBy listening to certain words as a child listens to the sea in a seashell, a word dreamer hears the murmur of a world of dreams.
GASTON BACHELARDThe reflected world is the conquest of calm.
GASTON BACHELARD