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In order for us to appreciate this world, we have to be a bit more honest, and I hope I do that.

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If people are noticing the hard work I’m doing, then that’s a wonderful thing.
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I can’t remember a Friday when I was younger when I wasn’t eating a pizza, flirting with the barman.
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I love watching faces as they grow up. It’s the difference between so many strong British actresses compared to what America does to women.
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When you’re given a platform, and you’re allowed to perform, and someone’s there to heighten you as opposed to dampen you, that’s a nice feeling.
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I grew up in a very loud and dramatic household, and we loved being in the spotlight.
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I found out I got ‘The Little Drummer Girl’ and my BAFTA nomination in quick succession, and I just didn’t expect it to be like that. I thought there would be a lot more time in between. It’s been an overwhelming experience.
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We tend to kind of write women out of history.
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History Kind Out Tend Women Write
It’s always shocking when you see a modern woman in a period story line. It doesn’t make sense.
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Lady Macbeth’ is a great opportunity for me to prove that maybe the outcome of ‘The Falling’ was not necessarily a fluke.
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I’ve tried not to get too bogged down by what people want you to be.
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Something that I’ve always been really keen on representing is some honesty with the way that we view ourselves.
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The Silence of the Lambs’ is my favourite book, favourite film.
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There was one moment when I was in L.A., and he was teaching me a move. I just looked at him, thinking, ‘Oh my God, I’m being taught to wrestle by Dwayne Johnson. What the hell?’
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Wearing a corset is extremely uncomfortable.
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As beautiful as cinema is, it’s a massive part of the problem of why we look at ourselves in the way we do.
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When I look for roles, I am looking for incredibly powerful women.
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